Robert Elsmere | Page 2

white edging the windows, into relief against the gray stone of the main fabric, the gray roof overhanging it, and the group of sycamores and Scotch firs which protected it from the cold east and north. The Western light struck full on a copper beech, which made a welcome patch of warm color in front of a long gray line of outhouses standing level with the house, and touched the heckberry blossom which marked the upward course of the little lane connecting the old farm with the road; above it rose the green fell, broken here and there by jutting crags, and below it the ground sank rapidly through a piece of young hazel plantation, at this present moment a sheet of bluebells, toward the level of the river. There was a dainty and yet sober brightness about the whole picture. Summer in the North is for Nature a time of expansion and of joy as it is elsewhere, but there is none of that opulence, that sudden splendor and superabundance, which mark it in the South. In these bare green valleys there is a sort of delicate austerity even in the summer; the memory of winter seems to be still lingering about these wind-swept fells, about the farm-houses, with their rough serviceable walls, of the same stone as the crags behind them, and the ravines in which the shrunken brooks trickle musically down through the _débris_ of innumerable Decembers. The country is blithe, but soberly blithe. Nature shows herself delightful to man, but there is nothing absorbing or intoxicating about her. Man is still well able to defend himself against her, to live his own independent life of labor and of will, and to develop that tenacity of hidden feeling, that slowly growing intensity of purpose which is so often wiled out of him by the spells of the South.
The distant aspect of Burwood Farm differed in nothing from that of the few other farmhouses which dotted the fells or clustered beside the river between it and the rocky end of the valley. But as one came nearer certain signs of difference became visible. The garden, instead of being the old-fashioned medley of phloxes, lavender bushes, monthly roses, gooseberry trees, herbs, and pampas grass, with which the farmers' wives of Long Whindale loved to fill their little front enclosures, was trimly laid down in turf dotted with neat flowerbeds, full at the moment we are writing of with orderly patches of scarlet and purple anemones, wallflowers, and pansies. At the side of the house a new bow window, modest enough in dimensions and make, had been thrown out on to another close-shaven piece of lawn, and by its suggestion of a distant sophisticated order of things disturbed the homely impression left by the untouched ivy-grown walls, the unpretending porch, and wide slate-window sills of the front. And evidently the line of sheds standing level with the dwelling-house no longer sheltered the animals, the carts, or the tools which make the small capital of a Westmoreland farmer. The windows in them were new, the doors fresh painted and closely shut; curtains of some soft outlandish make showed themselves in what had once been a stable, and the turf stretched smoothly up to a narrow gravelled path in front of them, unbroken by a single footmark. No, evidently the old farm, for such it undoubtedly was, had been but lately, or comparatively lately, transformed to new and softer uses; that rough patriarchal life of which it had once been a symbol and centre no longer bustled and clattered through it. It had become the shelter of new ideals, the home of another and a milder race than once possessed it.
In a stranger coming upon the house for the first time, on this particular evening, the sense of a changing social order and a vanishing past produced by the slight but significant modifications it had undergone, would have been greatly quickened by certain sounds which were streaming out on to the evening air from one of the divisions of that long one-storied addition to the main dwelling we have already described. Some indefatigable musician inside was practising the violin with surprising energy and vigor, and within the little garden the distant murmur of the river and the gentle breathing of the West wind round the fell were entirely conquered and banished by these triumphant shakes and turns, or by the flourishes and the broad cantabile passages of one of Spohr's Andantes. For a while, as the sun sank lower and lower toward the Shanmoor hills, the hidden artist had it all his, or her, own way; the valley and its green spaces seemed to be possessed by this stream of eddying sound, and no other sign of life broke the gray quiet