Roast Beef, Medium | Page 9

was fighting that wild impulse as she walked back to the hotel, went up to her stuffy room, and, without removing hat or coat, seated herself on the edge of the bed and stared long and hard at the tan wall-paper.
There is this peculiarity about tan wall-paper. If you stare at it long enough you begin to see things. Emma McChesney, who pulled down something over thirty-two hundred a year selling Featherloom Petticoats, saw this:
A kitchen, very bright and clean, with a cluttered kind of cleanliness that bespeaks many housewifely tasks under way. There were mixing bowls, and saucepans, and a kettle or so, and from the oven there came the sounds of sputtering and hissing. About the room there hung the divinely delectable scent of freshly baked cookies. Emma McChesney saw herself in an all-enveloping checked gingham apron, her sleeves rolled up, her hair somewhat wild, and one lock powdered with white where she had pushed it back with a floury hand. Her cheeks were surprisingly pink, and her eyes were very bright, and she was scraping a baking board and rolling-pin, and trimming the edges of pie tins, and turning with a whirl to open the oven door, stooping to dip up spoonfuls of gravy only to pour the rich brown liquid over the meat again. There were things on top of the stove that required sticking into with a fork, and other things that demanded tasting and stirring with a spoon. A neighbor came in to borrow a cup of molasses, and Emma urged upon her one of her freshly baked cookies. And there was a ring at the front-door bell, and she had to rush away to do battle with a persistent book agent....
The buzzing fly alighted on Emma McChesney's left eyebrow. She swatted it with a hand that was not quite quick enough, spoiled the picture, and slowly rose from her perch at the bedside.
"Oh, damn!" she remarked, wearily, and went over to the dresser. Then she pulled down her shirtwaist all around and went down to supper.
The dining-room was very warm, and there came a smell of lardy things from the kitchen. Those supping were doing so languidly.
"I'm dying for something cool, and green, and fresh," remarked Emma to the girl who filled her glass with iced water; "something springish and tempting."
"Well," sing-songed she of the ruffled, starched skirt, "we have ham'n-aigs, mutton chops, cold veal, cold roast--"
"Two, fried," interrupted Emma hopelessly, "and a pot of tea--black."
Supper over she passed through the lobby on her way upstairs. The place was filled with men. They were lolling in the big leather chairs at the window, or standing about, smoking and talking. There was a rattle of dice from the cigar counter, and a burst of laughter from the men gathered about it. It all looked very bright, and cheery, and sociable. Emma McChesney, turning to ascend the stairs to her room, felt that she, too, would like to sit in one of the big leather chairs in the window and talk to some one.
Some one was playing the piano in the parlor. The doors were open. Emma McChesney glanced in. Then she stopped. It was not the appearance of the room that held her. You may have heard of the wilds of an African jungle--the trackless wastes of the desert--the solitude of the forest--the limitless stretch of the storm-tossed ocean; they are cozy and snug when compared to the utter and soul-searing dreariness of a small town hotel parlor. You know what it is--red carpet, red plush and brocade furniture, full-length walnut mirror, battered piano on which reposes a sheet of music given away with the Sunday supplement of a city paper.
A man was seated at the piano, playing. He was not playing the Sunday supplement sheet music. His brown hat was pushed back on his head and there was a fat cigar in his pursy mouth, and as he played he squinted up through the smoke. He was playing Mendelssohn's Spring Song. Not as you have heard it played by sweet young things; not as you have heard it rendered by the Apollo String Quartette. Under his fingers it was a fragrant, trembling, laughing, sobbing, exquisite thing. He was playing it in a way to make you stare straight ahead and swallow hard.
Emma McChesney leaned her head against the door. The man at the piano did not turn. So she tip-toed in, found a chair in a corner, and noiselessly slipped into it. She sat very still, listening, and the past-that-might-have-been, and the future-that-was-to-be, stretched behind and before her, as is strangely often the case when we are listening to music. She stared ahead with eyes that were very wide open and bright. Something in the attitude of the man sitting hunched there over