going to have made over into a La Valliere just as soon as business is better. She loves it all, and her cheeks get pinker and pinker, so that she really doesn't need the little dash of rouge that she puts on 'because everybody does it, don't you know?' She gets ready, all but her dress, and then she puts on a kimono and slips out to the kitchen to make the gravy for the chicken because the girl never can get it as smooth as he likes it. That's part of what she calls going to the theater, and having a husband. And if there are children--"
There came a little, inarticulate sound from the boy. But Emma's quick ear caught it.
"No? Well, then, we'll call that one black mark less for you. But if there are children--and for her sake I hope there will be--she's father and mother to them. She brings them up, single-handed, while he's on the road. And the worst she can do is to say to them, 'Just wait until your father gets home. He'll hear of this.' But shucks! When he comes home he can't whip the kids for what they did seven weeks before, and that they've forgotten all about, and for what he never saw, and can't imagine. Besides, he wants his comfort when he gets home. He says he wants a little rest and peace, and he's darned if he's going to run around evenings. Not much, he isn't! But he doesn't object to her making a special effort to cook all those little things that he's been longing for on the road. Oh, there'll be a seat in Heaven for every traveling man's wife--though at that, I'll bet most of 'em will find themselves stuck behind a post."
"You're all right!" exclaimed Emma McChesney's listener, suddenly. "How a woman like you can waste her time on the road is more than I can see. And--I want to thank you. I'm not such a fool--"
"I haven't let you finish a sentence so far and I'm not going to yet. Wait a minute. There's one more paragraph to this sermon. You remember what I told you about old stagers, and the roast beef diet? Well, that applies right through life. It's all very well to trifle with the little side-dishes at first, but there comes a time when you've got to quit fooling with the minced chicken, and the imitation lamb chops of this world, and settle down to plain, everyday, roast beef, medium. That other stuff may tickle your palate for a while, but sooner or later it will turn on you, and ruin your moral digestion. You stick to roast beef, medium. It may sound prosaic, and unimaginative and dry, but you'll find that it wears in the long run. You can take me over to the hotel now. I've lost an hour's sleep, but I don't consider it wasted. And you'll oblige me by putting the stopper on any conversation that may occur to you between here and the hotel. I've talked until I'm so low on words that I'll probably have to sell featherlooms in sign language to-morrow."
They walked to the very doors of the Berger House in silence. But at the foot of the stairs that led to the parlor floor he stopped, and looked into Emma McChesney's face. His own was rather white and tense.
"Look here," he said. "I've got to thank you. That sounds idiotic, but I guess you know what I mean. And I won't ask you to forgive a hound like me. I haven't been so ashamed of myself since I was a kid. Why, if you knew Bess--if you knew--"
"I guess I know Bess, all right. I used to be a Bess, myself. Just because I'm a traveling man it doesn't follow that I've forgotten the Bess feeling. As far as that goes, I don't mind telling you that I've got neuralgia from sitting in that park with my feet in the damp grass. I can feel it in my back teeth, and by eleven o'clock it will be camping over my left eye, with its little brothers doing a war dance up the side of my face. And, boy, I'd give last week's commissions if there was some one to whom I had the right to say: 'Henry, will you get up and get me a hot-water bag for my neuralgia? It's something awful. And just open the left-hand lower drawer of the chiffonier and get out one of those gauze vests and then get me a safety pin from the tray on my dresser. I'm going to pin it around my head.'"
[Illustration: "'I won't ask you to forgive a hound like me'"]
II
REPRESENTING T. A. BUCK
Emma McChesney, Mrs. (I place it in
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