her where she sat with her eyes cast down at her hands in her lap. She had let them rest upon him for the moment of his entry, but had not greeted him.
Now, as he stood watching her, she had no greeting.
"Good morning, Mary," he said presently, and she murmured a reply. He saw at once that she was prepared for him, and began in the middle.
"A friend of mine," he said, "is alone and unhappy. I heard of it yesterday from Chevenix. I must go and see her. I shan't be away long, and shall then be at your disposition."
Her strength lay in her silence. She sat perfectly still, looking at her white hands. Her heavy eyelids, weighted with all the knowledge she had, seemed beyond her power of lifting. He was driven to speak again, and, against his will, to defend himself.
"I am in a hatefully false position. I ought to have told you long ago all about it. It seemed impossible at the time, and so from time to time, to open the shut book. I closed it deliberately, and from the time of doing it until this moment I have never spoken of it even to myself. Chevenix, who knew her well, broke it open unawares yesterday, and now we must read in it, you and I."
He stopped, took breath, and began again. "I don't see how you can forgive me, or how I can, so to speak, look myself in the face again. I have played the knave so long with you that it is perhaps the greatest knavery I can commit to be honest at last. But I am going to do it, Mary. I want to tell you the whole story. You have told me yours."
Her eyes flickered at that, but she said nothing. Passive as she sat, heavy in judgment, she was yet keenly interested. All her wits were at work, commenting, comparing, judging, and weighing every word that he said.
He told her a strange, incoherent story of poet's love. This mysterious, shrouded Sanchia figured in it as the goddess of a shrine--omnipresent, a felt influence, yet never a woman. He spoke her name with a drop of the voice; every act of hers, as he related it, was coloured by sanction to seem the dealing of a divine person with creeping mankind. To Mrs. Germain it was all preposterous; if she had owned the humorous sense it would have been tragically absurd. For what did it amount to, pray, but this, that Jack Senhouse had been in love with a girl who had loved somebody else, had married her choice, and was now repenting it? Jack, then, in a pique, had trifled with her, Mary Germain, and made love to her. Now he found that this Sanchia was to be seen he was for jumping back. Was he to jump, or not to jump? Did it lie with her? Jack seemed to think that it did.
If it did, what did she want? As to one thing she had long been clear. Jack Senhouse was a good lover, but would be an impossible mate. She had found his gypsy tent and hedgerow practice in the highest degree romantic. With gypsy practice he had the wheedling gypsy ways. An adventure of hers in the North, for instance--when, panic-struck, she had fled to him by a midnight train, had sought him through the dales and over limestone mountains through a day and night, and cried herself to sleep, and been found by him in the dewy dawn and soothed by his masterful cool sense-- wasn't this romantic? It had drawn her to him as she had never before been drawn to a man. She felt that here at last was a man indeed to be trusted. For she had been there with him, and not a living soul within miles, entirely at his discretion, and he had not so much as kissed her fingers. No, not even that, though he had wanted to. That she knew, as women do know such things. Romantic, indeed, trustworthy! Why, a Bayard, a Galahad of a gypsy! After this adventure, after he had driven her back to her duty, she had owned allegiance to nobody else in the world. And when her husband died she had renounced her widow-right, embraced hardship, kept herself by teaching; and when, finally, he came to her and offered her her choice, she had chosen Poverty for her lord as single-heartedly as ever did Francis find his lady in a beggar's garb.
And that being done, it did not "do." That was how she put it now; but the process had been slow, and never defined. He had carried her off to Baden for his work of naturalising plants. He had a great name
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