the stone was deified, and received regular worship from that time forward.
In B.C. 659, a third Duke was in a trance for five days, when he saw a vision of God, and received from Him instructions as to matters then pressing. For many generations afterwards the story ran that the Duke had been up to Heaven. This became a favourite theme for romancers. It is stated in the biography of a certain Feng Po that "one night he saw the gate of heaven open, and beheld exceeding glory within, which shone into his courtyard."
The following story is told by Huai-nan Tzu (d. B.C. 122):--"Once when the Duke of Lu-yang was at war with the Han State, and sunset drew near while a battle was still fiercely raging, the Duke held up his spear and shook it at the sun, which forthwith went back three zodiacal signs."
Only the Emperor worships God and Earth.--From the records of this period we can also see how jealously the worship of God and Earth was reserved for the Emperor alone.
In B.C. 651, Duke Huan of the Ch'i State, one of the feudal nobles to be mentioned later on, wished to signalise his accession to the post of doyen or leader of the vassal States by offering the great sacrifices to God and to Earth. He was, however, dissuaded from this by a wise Minister, who pointed out that only those could perform these ceremonies who had personally received the Imperial mandate from God.
This same Minister is said to be responsible for the following utterance:--
"Duke Huan asked Kuan Chang, saying, To what should a prince attach the highest importance? To God, replied the Minister; at which Duke Huan gazed upwards to the sky. The God I mean, continued Kuan Chung, is not the illimitable blue above. A true prince makes the people his God."
Sacrifices.--Much has been recorded by the Chinese on the subject of sacrifice,--more indeed than can be easily condensed into a small compass. First of all, there were the great sacrifices to God and to Earth, at the winter and summer solstices respectively, which were reserved for the Son of Heaven alone. Besides what may be called private sacrifices, the Emperor sacrificed also to the four quarters, and to the mountains and rivers of the empire; while the feudal nobles sacrificed each to his own quarter, and to the mountains and rivers of his own domain. The victim offered by the Emperor on a blazing pile of wood was an ox of one colour, always a young animal; a feudal noble would use any fatted ox; and a petty official a sheep or a pig. When sacrificing to the spirits of the land and of grain, the Son of Heaven used a bull, a ram, and a boar; the feudal nobles only a ram and a boar; and the common people, scallions and eggs in spring, wheat and fish in summer, millet and a sucking-pig in autumn, and unhulled rice and a goose in winter. If there was anything infelicitous about the victim intended for God, it was used for Hou Chi. The victim intended for God required to be kept in a clean stall for three months; that for Hou Chi simply required to be perfect in its parts. This was the way in which they distinguished between heavenly and earthly spirits.
In primeval times, we are told, sacrifices consisted of meat and drink, the latter being the "mysterious liquid," water, for which wine was substituted later on. The ancients roasted millet and pieces of pork; they made a hole in the ground and scooped the water from it with their two hands, beating upon an earthen drum with a clay drumstick. Thus they expressed their reverence for spiritual beings.
"Sacrifices," according to the /Book of Rites/ (Legge's translation), "should not be frequently repeated. Such frequency is an indication of importunateness; and importunateness is inconsistent with reverence. Nor should they be at distant intervals. Such infrequency is indicative of indifference; and indifference leads to forgetting them altogether. Therefore the superior man, in harmony with the course of Nature, offers the sacrifices of spring and autumn. When he treads on the dew which has descended as hoar-frost he cannot help a feeling of sadness, which arises in his mind, and which cannot be ascribed to the cold. In spring, when he treads on the ground, wet with the rains and dews that have fallen heavily, he cannot avoid being moved by a feeling as if he were seeing his departed friends. We meet the approach of our friends with music, and escort them away with sadness, and hence at the sacrifice in spring we use music, but not at the sacrifice in autumn."
"Sacrifice is not a thing coming to a man from without; it issues from
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