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Note: I have omitted the accent over the "a" in the phrase "a la volee" on line 28 of page 80; I have also omitted Greek words or phrases, substituting [Greek omitted] in their place; in addition, I have made the following changes to the text: PAGE LINE ORIGINAL CHANGED TO 56 11 comtemplations. contemplations. 93 34 that si that is 117 14 Egyptains Egyptians 120 1 Egyptains Egyptians 148 13 aprehension apprehension 151 15 where where- 162 5 viii 809 viii. 809 176 16 limped limpid 187 30 things.' things." Footnote symbols in the text include the asterisk, the dagger, the double dagger, and the section, for which I have substituted, respectively, the *, the +, the #, and the $. Endnote numbers within the text are indicated by Arabic numerals enclosed within pointed brackets, e.g., <1>.
RELIGIO MEDICI.

RELIGIO MEDICI,
HYDRIOTAPHIA, AND THE LETTER TO A FRIEND.
BY
SIR THOMAS BROWNE, KNT.
WITH AN INTRODUCTION AND NOTES BY
J. W. WILLIS BUND, M.A., LL.B., GONVILLE AND CAIUS COLLEGE, CAMBRIDGE, OF LINCOLN'S INN, BARRISTER-AT-LAW.

INTRODUCTION.
SIR THOMAS BROWNE (whose works occupy so prominent a position in the literary his- tory of the seventeenth century) is an author who is now little known and less read. This com- parative oblivion to which he has been consigned is the more remarkable, as, if for nothing else, his writings deserve to be studied as an example of the English language in what may be termed a transition state. The prose of the Elizabethan age was begin- ning to pass away and give place to a more inflated style of writing--a style which, after passing through various stages of development, culminated in that of Johnson.
Browne is one of the best early examples of this school; his style, to quote Johnson himself, "is vigorous but rugged, it is learned but pedantick, it is deep but obscure, it strikes but does not please, it commands but does not allure. . . . It is a tissue of many languages, a mixture of heterogeneous words brought together from distant regions."
Yet in spite of this qualified censure, there are passages in Browne's works not inferior to any in the English language; and though his writings may not be "a well of English undefiled," yet it is the very defilements that add to the beauty of the work.
But it is not only as an example of literary style that Browne deserves to be studied. The matter of his works, the grandeur of his ideas, the originality of his thoughts, the greatness of his charity, amply make up for the deficiencies (if deficiencies there be) in his style. An author who combined the wit of Montaigne with the learning of Erasmus, and of whom even Hallam could say that "his varied talents wanted nothing but the controlling supremacy of good sense to place him in the highest rank of our litera- ture," should not be suffered to remain in obscurity.
A short account of his life will form the best introduction to his works.
Sir Thomas Browne was born in London, in the parish of St Michael le Quern, on the 19th of October 1605. His father was a London merchant, of a good Cheshire family; and his mother a Sussex lady, daughter of Mr Paul Garraway of Lewis. His father died when he was very young, and his mother marrying again shortly afterwards, Browne was left to the care of his guardians, one of whom is said to have defrauded him out of some of his property. He was educated at Winchester, and afterwards sent to Oxford, to what is now Pembroke College, where he took his degree of M.A. in 1629. Thereupon he commenced for a short time to practise as a physician in Oxfordshire. But we soon find him growing tired of this, and accompanying his father-in-law, Sir Thomas Dutton, on a tour of inspection of the castles and forts in Ireland. We next hear of Browne in the south of France, at Montpellier, then a celebrated school of medicine, where he seems to have studied some little time. From there he proceeded to Padua, one of the most famous of the Italian universities, and noted for the views some of its members held on the subjects of astronomy and necromancy. During his residence here, Browne doubtless acquired some of his peculiar ideas on the science of the heavens and the black art, and, what was more im- portant, he learnt to regard the Romanists with that abundant charity we find throughout his works. From Padua, Browne went to