Records of a Girlhood | Page 4

attempted since her time: such as "The Blind Boy" and "Deaf and Dumb;" the latter, particularly, in its speechless power and pathos of expression, resembling the celebrated exhibitions of Parisot and Bigottini, in the great tragic ballets in which dancing was a subordinate element to the highest dramatic effects of passion and emotion expressed by pantomime. After her marriage, my mother remained but a few years on the stage, to which she bequeathed, as specimens of her ability as a dramatic writer, the charming English version of "La jeune Femme colère," called "The Day after the Wedding;" the little burlesque of "Personation," of which her own exquisitely humorous performance, aided by her admirably pure French accent, has never been equaled; and a play in five acts called "Smiles and Tears," taken from Mrs. Opie's tale of "Father and Daughter."
She had a fine and powerful voice and a rarely accurate musical ear; she moved so gracefully that I have known persons who went to certain provincial promenades frequented by her, only to see her walk; she was a capital horsewoman; her figure was beautiful, and her face very handsome and strikingly expressive; and she talked better, with more originality and vivacity, than any English woman I have ever known: to all which good gifts she added that of being a first-rate cook. And oh, how often and how bitterly, in my transatlantic household tribulations, have I deplored that her apron had not fallen on my shoulders or round my waist! Whether she derived this taste and talent from her French blood, I know not, but it amounted to genius, and might have made her a pre-eminent cordon bleu, if she had not been the wife, and cheffe, of a poor professional gentleman, whose moderate means were so skillfully turned to account, in her provision for his modest table, that he was accused by ill-natured people of indulging in the expensive luxury of a French cook. Well do I remember the endless supplies of potted gravies, sauces, meat jellies, game jellies, fish jellies, the white ranges of which filled the shelves of her store-room--which she laughingly called her boudoir--almost to the exclusion of the usual currant jellies and raspberry jams of such receptacles: for she had the real _bon vivant's_ preference of the savory to the sweet, and left all the latter branch of the art to her subordinates, confining the exercise of her own talents, or immediate superintendence, to the production of the above-named "elegant extracts." She never, I am sorry to say, encouraged either my sister or myself in the same useful occupation, alleging that we had what she called better ones; but I would joyfully, many a time in America, have exchanged all my boarding-school smatterings for her knowledge how to produce a wholesome and palatable dinner. As it was, all I learned of her, to my sorrow, was a detestation of bad cookery, and a firm conviction that that which was exquisite was both wholesomer and more economical than any other. Dr. Kitchener, the clever and amiable author of that amusing book, "The Cook's Oracle" (his name was a _bona fide_ appellation, and not a drolly devised appropriate nom de plume, and he was a doctor of physic), was a great friend and admirer of hers; and she is the "accomplished lady" by whom several pages of that entertaining kitchen companion were furnished to him.
The mode of opening one of her chapters, "I always bone my meat" (bone being the slang word of the day for steal), occasioned much merriment among her friends, and such a look of ludicrous surprise and reprobation from Liston, when he read it, as I still remember.
My mother, moreover, devised a most admirable kind of jujube, made of clarified gum-arabic, honey, and lemon, with which she kept my father supplied during all the time of his remaining on the stage; he never acted without having recourse to it, and found it more efficacious in sustaining the voice and relieving the throat under constant exertion than any other preparation that he ever tried; this she always made for him herself.
The great actors of my family have received their due of recorded admiration; my mother has always seemed to me to have been overshadowed by their celebrity; my sister and myself, whose fate it has been to bear in public the name they have made distinguished, owe in great measure to her, I think, whatever ability has enabled us to do so not unworthily.
I was born on the 27th of November, 1809, in Newman Street, Oxford Road, the third child of my parents, whose eldest, Philip, named after my uncle, died in infancy. The second, John Mitchell, lived to distinguish himself as a scholar, devoting his life to the study of his own language and