Rebecca of Sunnybrook Farm | Page 5

Kate Douglas Wiggin
her dress still farther over the article in question as she said, "Oh dear no! I never put it up when the sun shines; pink fades awfully, you know, and I only carry it to meetin' cloudy Sundays; sometimes the sun comes out all of a sudden, and I have a dreadful time covering it up; it's the dearest thing in life to me, but it's an awful care."
At this moment the thought gradually permeated Mr. Jeremiah Cobb's slow-moving mind that the bird perched by his side was a bird of very different feather from those to which he was accustomed in his daily drives. He put the whip back in its socket, took his foot from the dashboard, pushed his hat back, blew his quid of tobacco into the road, and having thus cleared his mental decks for action, he took his first good look at the passenger, a look which she met with a grave, childlike stare of friendly curiosity.
The buff calico was faded, but scrupulously clean, and starched within an inch of its life. From the little standing ruffle at the neck the child's slender throat rose very brown and thin, and the head looked small to bear the weight of dark hair that hung in a thick braid to her waist. She wore an odd little vizored cap of white leghorn, which may either have been the latest thing in children's hats, or some bit of ancient finery furbished up for the occasion. It was trimmed with a twist of buff ribbon and a cluster of black and orange porcupine quills, which hung or bristled stiffly over one ear, giving her the quaintest and most unusual appearance. Her face was without color and sharp in outline. As to features, she must have had the usual number, though Mr. Cobb's attention never proceeded so far as nose, forehead, or chin, being caught on the way and held fast by the eyes. Rebecca's eyes were like faith,-- "the substance of things hoped for, the evidence of things not seen." Under her delicately etched brows they glowed like two stars, their dancing lights half hidden in lustrous darkness. Their glance was eager and full of interest, yet never satisfied; their steadfast gaze was brilliant and mysterious, and had the effect of looking directly through the obvious to something beyond, in the object, in the landscape, in you. They had never been accounted for, Rebecca's eyes. The school teacher and the minister at Temperance had tried and failed; the young artist who came for the summer to sketch the red barn, the ruined mill, and the bridge ended by giving up all these local beauties and devoting herself to the face of a child,--a small, plain face illuminated by a pair of eyes carrying such messages, such suggestions, such hints of sleeping power and insight, that one never tired of looking into their shining depths, nor of fancying that what one saw there was the reflection of one's own thought.
Mr. Cobb made none of these generalizations; his remark to his wife that night was simply to the effect that whenever the child looked at him she knocked him galley-west.
"Miss Ross, a lady that paints, gave me the sunshade," said Rebecca, when she had exchanged looks with Mr. Cobb and learned his face by heart. "Did you notice the pinked double ruffle and the white tip and handle? They're ivory. The handle is scarred, you see. That's because Fanny sucked and chewed it in meeting when I wasn't looking. I've never felt the same to Fanny since."
"Is Fanny your sister?"
"She's one of them."
"How many are there of you?"
"Seven. There's verses written about seven children:--
"`Quick was the little Maid's reply, O master! we are seven!'
I learned it to speak in school, but the scholars were hateful and laughed. Hannah is the oldest, I come next, then John, then Jenny, then Mark, then Fanny, then Mira."
"Well, that IS a big family!"
"Far too big, everybody says," replied Rebecca with an unexpected and thoroughly grown-up candor that induced Mr. Cobb to murmur, "I swan!" and insert more tobacco in his left cheek.
"They're dear, but such a bother, and cost so much to feed, you see," she rippled on. "Hannah and I haven't done anything but put babies to bed at night and take them up in the morning for years and years. But it's finished, that's one comfort, and we'll have a lovely time when we're all grown up and the mortgage is paid off."
"All finished? Oh, you mean you've come away?"
"No, I mean they're all over and done with; our family 's finished. Mother says so, and she always keeps her promises. There hasn't been any since Mira, and she's three. She was born the day father died Aunt Miranda wanted Hannah to come
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