R F Murray: His Poems with a Memoir by Andrew Lang | Page 3

confirmed. His ambitions, to lookers-on, may seem narrow and school-boyish, as if he were merely emulous, and eager for a high place in his `class,' as lectures are called in Scotland. This was Murray's own view, and he certainly avoided the dangers of academic over-work. He read abundantly, but, as Fitzgerald says, he read `for human pleasure.' He never was a Greek scholar, he disliked Philosophy, as presented to him in class-work; the gods had made him poetical, not metaphysical.
There was one other cause of his lack of even such slender?commercial success in letters as was really necessary to a man who liked `plain living and high thinking.' He fell early in love with a city, with a place--he lost his heart to St. Andrews. Here, at all events, his critic can sympathise with him. His `dear St. Andrews Bay,' beautiful alike in winter mists and in the crystal days of still winter sunshine; the quiet brown streets brightened by the scarlet gowns; the long limitless sands; the dark blue distant hills, and far-off snowy peaks of the Grampians; the majestic melancholy towers, monuments of old religion overthrown; the deep dusky porch of the college chapel, with Kennedy's arms in wrought iron on the oaken door; the solid houses with their crow steps and gables, all the forlorn memories of civil and religious feud, of inhabitants saintly, royal, heroic, endeared St. Andrews to Murray. He could not say, like our other poet to Oxford, `Farewell, dear city of youth and dream!' His whole nature needed the air, `like wine.' He found, as he remarks, `health and happiness in the German Ocean,' swimming out beyond the `lake' where the witches were dipped; walking to the grey little coast-towns, with their wealth of historic documents, their ancient kirks and graves; dreaming in the vernal woods of Mount Melville or Strathtyrum; rambling (without a fishing-rod) in the charmed `dens' of the Kenley burn, a place like Tempe in miniature: these things were Murray's usual enjoyments, and they became his indispensable needs. His peculiarly shy and, as it were, silvan nature, made it physically impossible for him to live in crowded streets and push his way through throngs of indifferent men. He could not live even in Edinburgh; he made the effort, and his health, at no time strong, seems never to have recovered from the effects of a few months spent under a roof in a large town. He hurried back to St. Andrews: her fascination was too powerful. Hence it is that, dying with his work scarcely begun, he will always be best remembered as the poet of The Scarlet Gown, the Calverley or J. K. S. of Kilrymont; endowed with their humour, their skill in parody, their love of youth, but (if I am not prejudiced) with more than the tenderness and natural magic of these regretted writers. Not to be able to endure crowds and towns, (a matter of physical health and constitution, as well as of?temperament) was, of course, fatal to an ordinary success in journalism. On the other hand, Murray's name is inseparably connected with the life of youth in the little old college, in the University of the Admirable Crichton and Claverhouse, of the great Montrose and of Ferguson,--the harmless Villon of Scotland,--the University of almost all the famous Covenanters, and of all the valiant poet-Cavaliers. Murray has sung of the life and pleasures of its students, of examinations and Gaudeamuses--supper parties--he has sung of the sands, the links, the sea, the towers, and his name and fame are for ever blended with the air of his city of youth and dream. It is not a wide name or a great fame, but it is what he would have desired, and we trust that it may be long-lived and enduring. We are not to wax elegiac, and adopt a tearful tone over one so gallant and so uncomplaining. He failed, but he was undefeated.
In the following sketch of Murray's life and work use is made of his letters, chiefly of letters to his mother. They always illustrate his own ideas and attempts; frequently they throw the light of an impartial and critical mind on the distinguished people whom Murray observed from without. It is worth remarking that among many remarks on persons, I have found not one of a censorious, cynical, envious, or unfriendly nature. Youth is often captious and keenly critical; partly because youth generally has an ideal, partly, perhaps chiefly, from mere intellectual high spirits and sense of the incongruous; occasionally the motive is jealousy or spite. Murray's sense of fun was keen, his ideal was lofty; of envy, of an injured sense of being neglected, he does not show one trace. To make fun of their masters and pastors, tutors, professors, is the general