be to make real a dream?"
"How the devil could you do that?"
"How? How? But simply! First my liquid positive, then my magic spectacles. I photograph the story in a liquid with light-sensitive chromates. I build up a complex solution--do you see? I add taste chemically and sound electrically. And when the story is recorded, then I put the solution in my spectacle--my movie projector. I electrolyze the solution, break it down; the older chromates go first, and out comes the story, sight, sound, smell, taste--all!"
"Touch?"
"If your interest is taken, your mind supplies that." Eagerness crept into his voice. "You will look at it, Mr.----?"
"Burke," said Dan. "A swindle!" he thought. Then a spark of recklessness glowed out of the vanishing fumes of alcohol. "Why not?" he grunted.
He rose; Ludwig, standing, came scarcely to his shoulder. A queer gnomelike old man, Dan thought as he followed him across the park and into one of the scores of apartment hotels in the vicinity.
In his room Ludwig fumbled in a bag, producing a device vaguely reminiscent of a gas mask. There were goggles and a rubber mouthpiece; Dan examined it curiously, while the little bearded professor brandished a bottle of watery liquid.
"Here it is!" he gloated. "My liquid positive, the story. Hard photography--infernally hard, therefore the simplest story. A Utopia--just two characters and you, the audience. Now, put the spectacles on. Put them on and tell me what fools the Westman people are!" He decanted some of the liquid into the mask, and trailed a twisted wire to a device on the table. "A rectifier," he explained. "For the electrolysis."
"Must you use all the liquid?" asked Dan. "If you use part, do you see only part of the story? And which part?"
"Every drop has all of it, but you must fill the eye-pieces." Then as Dan slipped the device gingerly on, "So! Now what do you see?"
"Not a damn' thing. Just the windows and the lights across the street."
"Of course. But now I start the electrolysis. Now!"
* * * * *
There was a moment of chaos. The liquid before Dan's eyes clouded suddenly white, and formless sounds buzzed. He moved to tear the device from his head, but emerging forms in the mistiness caught his interest. Giant things were writhing there.
The scene steadied; the whiteness was dissipating like mist in summer. Unbelieving, still gripping the arms of that unseen chair, he was staring at a forest. But what a forest! Incredible, unearthly, beautiful! Smooth boles ascended inconceivably toward a brightening sky, trees bizarre as the forests of the Carboniferous age. Infinitely overhead swayed misty fronds, and the verdure showed brown and green in the heights. And there were birds--at least, curiously lovely pipings and twitterings were all about him though he saw no creatures--thin elfin whistlings like fairy bugles sounded softly.
He sat frozen, entranced. A louder fragment of melody drifted down to him, mounting in exquisite, ecstatic bursts, now clear as sounding metal, now soft as remembered music. For a moment he forgot the chair whose arms he gripped, the miserable hotel room invisibly about him, old Ludwig, his aching head. He imagined himself alone in the midst of that lovely glade. "Eden!" he muttered, and the swelling music of unseen voices answered.
Some measure of reason returned. "Illusion!" he told himself. Clever optical devices, not reality. He groped for the chair's arm, found it, and clung to it; he scraped his feet and found again an inconsistency. To his eyes the ground was mossy verdure; to his touch it was merely a thin hotel carpet.
The elfin buglings sounded gently. A faint, deliciously sweet perfume breathed against him; he glanced up to watch the opening of a great crimson blossom on the nearest tree, and a tiny reddish sun edged into the circle of sky above him. The fairy orchestra swelled louder in its light, and the notes sent a thrill of wistfulness through him. Illusion? If it were, it made reality almost unbearable; he wanted to believe that somewhere--somewhere this side of dreams, there actually existed this region of loveliness. An outpost of Paradise? Perhaps.
And then--far through the softening mists, he caught a movement that was not the swaying of verdure, a shimmer of silver more solid than mist. Something approached. He watched the figure as it moved, now visible, now hidden by trees; very soon he perceived that it was human, but it was almost upon him before he realized that it was a girl.
She wore a robe of silvery, half-translucent stuff, luminous as starbeams; a thin band of silver bound glowing black hair about her forehead, and other garment or ornament she had none. Her tiny white feet were bare to the mossy forest floor as she stood no more than a pace from him, staring dark-eyed. The thin music sounded
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