of her 
breasts could be stopped,some of the fragments of the afternoon might 
be collected, and I concentrated my attention with careful subtlety to 
this end. 
Conversation Galante 
I observe: "Our sentimental friend the moon
Or possibly (fantastic, I 
confess)
It may be Prester John’s balloon
Or an old battered lantern 
hung aloft
To light poor travellers to their distress."
She then: "How 
you digress!" 
And I then: "Some one frames upon the keys
That exquisite nocturne, 
with which we explain
The night and moonshine; music which we 
seize
To body forth our own vacuity."
She then: "Does this refer to 
me?"
"Oh no, it is I who am inane." 
"You, madam, are the eternal humorist
The eternal enemy of the 
absolute,
Giving our vagrant moods the slightest twist
With your air 
indifferent and imperious
At a stroke our mad poetics to confute--"
And--"Are we then so serious?" 
La Figlia Che Piange 
Stand on the highest pavement of the stair--
Lean on a garden urn--
Weave, weave the sunlight in your hair--
Clasp your flowers to you 
with a pained surprise--
Fling them to the ground and turn
With a 
fugitive resentment in your eyes:
But weave, weave the sunlight in 
your hair. 
So I would have had him leave,
So I would have had her stand and 
grieve,
So he would have left
As the soul leaves the body torn and 
bruised
As the mind deserts the body it has used.
I should find
Some way incomparably light and deft,
Some way we both should 
understand,
Simple and faithless as a smile and shake of the hand.
She turned away, but with the autumn weather
Compelled my 
imagination many days,
Many days and many hours:
Her hair over 
her arms and her arms full of flowers.
And I wonder how they should 
have been together!
I should have lost a gesture and a pose.
Sometimes these cogitations still amaze
The troubled midnight and 
the noon’s repose. 
End of Project Gutenberg Etext of Prufrock/Other Observations, by 
Eliot 
from http://www.dertz.in/    
    
		
	
	
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