diamond necklace would be gaudy, if your eyes were not brighter. That queenly movement would be awkward, if your soul were not queenlier."
You could not say such things to Aurelia, although, if you are worthy to dine at her side, they are the very things you are longing to say. What insufferable stuff you are talking about the weather, and the opera, and Alboni's delicious voice, and Newport, and Saratoga! They are all very pleasant subjects, but do you suppose Ixion talked Thessalian politics when he was admitted to dine with Juno?
I almost begin to pity you, and to believe that a scarcity of white waistcoats is true wisdom. For now dinner is announced, and you, O rare felicity, are to hand down Aurelia. But you run the risk of tumbling her expansive skirt, and you have to drop your hat upon a chance chair, and wonder, en passant who will wear it home, which is annoying. My fancy runs no such risk; is not at all solicitous about its hat, and glides by the side of Aurelia, stately as she. There! you stumble on the stair, and are vexed at your own awkwardness, and are sure you saw the ghost of a smile glimmer along that superb face at your side. My fancy doesn't tumble down stairs, and what kind of looks it sees upon Aurelia's face, are its own secret.
Is it any better, now you are seated at table? Your companion eats little because she wishes little. You eat little because you think it is elegant to do so. It is a shabby, second-hand elegance, like your brittle behavior. It is just as foolish for you to play with the meats, when you ought to satisfy your healthy appetite generously, as it is for you, in the drawing-room, to affect that cool indifference when you have real and noble interests.
I grant you that fine manners, if you please, are a fine art. But is not monotony the destruction of art? Your manners, O happy Ixion, banqueting with Juno, are Egyptian. They have no perspective, no variety. They have no color, no shading. They are all on a dead level; they are flat. Now, for you are a man of sense, you are conscious that those wonderful eyes of Aurelia see straight through all this net-work of elegant manners in which you have entangled yourself, and that consciousness is uncomfortable to you. It is another trick in the game for me, because those eyes do not pry into my fancy. How can they, since Aurelia does not know of my existence?
Unless, indeed, she should remember the first time I saw her. It was only last year, in May. I had dined, somewhat hastily, in consideration of the fine day, and of my confidence that many would be wending dinnerwards that afternoon. I saw my Prue comfortably engaged in seating the trowsers of Adoniram, our eldest boy--an economical care to which my darling Prue is not unequal, even in these days and in this town--and then hurried toward the avenue. It is never much thronged at that hour. The moment is sacred to dinner. As I paused at the corner of Twelfth Street, by the church, you remember, I saw an apple-woman, from whose stores I determined to finish my dessert, which had been imperfect at home. But, mindful of meritorious and economical Prue, I was not the man to pay exorbitant prices for apples, and while still haggling with the wrinkled Eve who had tempted me, I became suddenly aware of a carriage approaching, and, indeed, already close by. I raised my eyes, still munching an apple which I held in one hand, while the other grasped my walking-stick (true to my instincts of dinner guests, as young women to a passing wedding or old ones to a funeral), and beheld Aurelia!
Old in this kind of observation as I am, there was something so graciously alluring in the look that she cast upon me, as unconsciously, indeed, as she would have cast it upon the church, that, fumbling hastily for my spectacles to enjoy the boon more fully, I thoughtlessly advanced upon the apple-stand, and, in some indescribable manner, tripping, down we all fell into the street, old woman, apples, baskets, stand, and I, in promiscuous confusion. As I struggled there, somewhat bewildered, yet sufficiently self-possessed to look after the carriage, I beheld that beautiful woman looking at us through the back-window (you could not have done it; the integrity of your shirt-collar would have interfered,) and smiling pleasantly, so that her going around the corner was like a gentle sunset, so seemed she to disappear in her own smiling; or--if you choose, in view of the apple difficulties--like a rainbow after a storm.
If the beautiful Aurelia recalls that
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.