the full, showing itself, and intending to be lovely and luminous, as fragrant, to the uttermost of its soft power.
Nor merely in its oblique setting on the stalk, but in the reversion of its two upper petals, the flower shows this purpose of being fully seen. (For a flower that does hide itself, take a lily of the valley, or the bell of a grape hyacinth, or a cyclamen.) But respecting this matter of petal-reversion, we must now farther state two or three general principles.
6. A perfect or pure flower, as a rose, oxalis, or campanula, is always composed of an unbroken whorl, or corolla, in the form of a disk, cup, bell, or, if it draw together again at the lips, a narrow-necked vase. This cup, bell, or vase, is divided into similar petals, (or segments, which are petals carefully joined,) varying in number from three to eight, and enclosed by a calyx whose sepals are symmetrical also.
An imperfect, or, as I am inclined rather to call it, an 'injured' flower, is one in which some of the petals have inferior office and position, and are either degraded, for the benefit of others, or expanded and honoured at the cost of others.
Of this process, the first and simplest condition is the reversal of the upper petals and elongation of the lower ones, in blossoms set on the side of a clustered stalk. When the change is simply and directly dependent on their position in the cluster, as in Aurora Regina,[1] modifying every bell just in proportion as it declines from the perfected central one, some of the loveliest groups of form are produced which can be seen in any inferior organism: but when the irregularity becomes fixed, and the flower is always to the same extent distorted, whatever its position in the cluster, the plant is to be rightly thought of as reduced to a lower rank in creation.
7. It is to be observed, also, that these inferior forms of flower have always the appearance of being produced by some kind of mischief--blight, bite, or ill-breeding; they never suggest the idea of improving themselves, now, into anything better; one is only afraid of their tearing or puffing themselves into something worse. Nay, even the quite natural and simple conditions of inferior vegetable do not in the least suggest, to the unbitten or unblighted human intellect, the notion of development into anything other than their like: one does not expect a mushroom to translate itself into a pineapple, nor a betony to moralize itself into a lily, nor a snapdragon to soften himself into a lilac.
8. It is very possible, indeed, that the recent phrenzy for the investigation of digestive and reproductive operations in plants may by this time have furnished the microscopic malice of botanists with providentially disgusting reasons, or demoniacally nasty necessities, for every possible spur, spike, jag, sting, rent, blotch, flaw, freckle, filth, or venom, which can be detected in the construction, or distilled from the dissolution, of vegetable organism. But with these obscene processes and prurient apparitions the gentle and happy scholar of flowers has nothing whatever to do. I am amazed and saddened, more than I can care to say, by finding how much that is abominable may be discovered by an ill-taught curiosity, in the purest things that earth is allowed to produce for us;--perhaps if we were less reprobate in our own ways, the grass which is our type might conduct itself better, even though it has no hope but of being cast into the oven; in the meantime, healthy human eyes and thoughts are to be set on the lovely laws of its growth and habitation, and not on the mean mysteries of its birth.
9. I relieve, therefore, our presently inquiring souls from any farther care as to the reason for a violet's spur,--or for the extremely ugly arrangements of its stamens and style, invisible unless by vexatious and vicious peeping. You are to think of a violet only in its green leaves, and purple or golden petals;--you are to know the varieties of form in both, proper to common species; and in what kind of places they all most fondly live, and most deeply glow.
"And the recreation of the minde which is taken heereby cannot be but verie good and honest, for they admonish and stir up a man to that which is comely and honest. For flowers, through their beautie, varietie of colour, and exquisite forme, do bring to a liberall and gentle manly minde the remembrance of honestie, comeliness, and all kinds of vertues. For it would be an unseemely and filthie thing, as a certain wise man saith, for him that doth looke upon and handle faire and beautiful things, and who frequenteth and is conversant in faire
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