Prose Idylls | Page 9

insect life of the rich river banks, the only part of the landscape where the hand of man has never interfered, and the only part in general which never feels the drought of summer, 'the trees planted by the waterside whose leaf shall not wither.'
Pleasant are those hidden waterways: but yet are they the more pleasant because the hand of man has not interfered with them?
It is a question, and one which the older one grows the less one is inclined to answer in the affirmative. The older one grows, the more there grows on one the sense of waste and incompleteness in all scenery where man has not fulfilled the commission of Eden, 'to dress it and to keep it;' and with that, a sense of loneliness which makes one long for home, and cultivation, and the speech of fellow men.
Surely the influence of mountain scenery is exaggerated now-a-days. In spite of the reverend name of Wordsworth (whose poetry, be it remembered, too often wants that element of hardihood and manliness which is supposed to be the birthright of mountaineers), one cannot help, as a lowlander, hoping that there is a little truth in the threnodes of a certain peevish friend who literally hates a mountain, and justifies his hatred in this fashion:-
'I do hate mountains. I would not live among them for ten thousand a year. If they look like paradise for three months in the summer, they are a veritable inferno for the other nine; and I should like to condemn my mountain-worshipping friends to pass a whole year under the shadow of Snowdon, with that great black head of his shutting out the sunlight, staring down into their garden, overlooking all they do in the most impertinent way, sneezing and spitting at them with rain, hail, snow, and bitter freezing blasts, even in the hottest sunshine. A mountain? He is a great stupid giant, with a perpetual cold in his head, whose highest ambition is to give you one also. As for his beauty, no natural object has so little of its own; he owes it to the earthquakes that reared him up, to the rains and storms which have furrowed him, to every gleam and cloud which pass over him. In himself he is a mere helpless stone-heap. Our old Scandinavian forefathers were right when they held the mountain Yotuns to be helpless pudding-headed giants, the sport of gods and men: and their English descendant, in spite of all his second-hand sentiment, holds the same opinion at his heart; for his first instinct, jolly honest fellow that he is, on seeing a snow alp, is to scramble up it and smoke his cigar upon the top. And this great stupid braggart, pretending to be a personage and an entity, which, like Pope's monument on Fish-street hill,
"Like a tall bully, lifts the head and lies,"
I am called upon now-a-days to worship, as my better, my teacher. Shall I, the son of Odin and Thor, worship Hrymir the frost giant, and his cows the waterfalls? Shall I bow down to the stock of a stone? My better? I have done an honest thing or two in my life, but I never saw a mountain do one yet. As for his superiority to me, in what does it consist? His strength? If he be stronger than I, let him cut stones out of my ribs, as I can out of his. His size? Am I to respect a mountain the more for being 10,000 feet high? As well ask me to respect Daniel Lambert for weighing five-and-twenty stone. His cunning construction? There is not a child which plays at his foot, not an insect which basks on his crags, which is not more fearfully and wonderfully made; while as for his grandeur of form, any college youth who scrambles up him, peel him out of his shooting jacket and trousers, is a hundred times more beautiful, and more grand too, by all laws of art. But so it is. In our prurient prudery, we have got to despise the human, and therefore the truly divine, element in art, and look for inspiration, not to living men and women, but to leaves and straws, stocks and stones. It is an idolatry baser than that of the old Canaanites; for they had the courage to go up to the mountain tops, and thence worship the host of heaven: but we are to stay at the bottom, and worship the mountains themselves. Byron began the folly with his misanthropic "Childe Harold." Sermons in stones? I don't believe in them. I have seen a better sermon in an old peasant woman's face than in all the Alps and Apennines of Europe. Did you ever see any one who was the better for