Prose Fancies | Page 5

take pity upon you. An hour of talk to a year of silence! O heavenly proportion! And I can well imagine that when that hour has come, it seems but a trivial toy you have forgotten how to play with. Were I a Trappist, I would use my hour to evangelise converts to silence, would break the long year's quiet but to whisper, 'How good is silence!' Let us inaugurate a secular La Trappe, let us plot a conspiracy of silence, let us send the world to Coventry. Or, if we must talk, let it be in Latin, or in the 'Volap��k' of myriad-meaning music; and let no man joke save in Greek--that all may laugh. But, best of all, let us leave off talking altogether, and listen to the morning stars.

LIFE IN INVERTED COMMAS
As I waited for an omnibus at the corner of Fleet Street the other day, I was the spectator of a curious occurrence. Suddenly there was a scuffle hard by me, and, turning round, I saw a powerful gentlemanly man wrestling with two others in livery, who were evidently intent on arresting him. These men, I at once perceived, belonged to the detective force of the Incorporated Society of Authors, and were engaged in the capture of a notorious plagiarist. I knew the prisoner well. He had, in fact, pillaged from my own writings; but I was none the less sorry for his plight, to which, I would assure the reader, I was no party. Yet he was, I admit, an egregiously bad case, and my pity is doubtless misplaced sentiment. Like many another, he had begun his career as a quotation and ended as a plagiarism, daring even, in one instance, to imitate that shadow in the fairy-tale which rose up on a sudden one day and declared himself to be the substance and the substance his shadow. Indeed, he had so far succeeded as to make many people question whether or not he was the original and the other man the plagiarism. However, there was no longer to be any doubt of it, for his captors had him fast this time; and, presently, we saw him taken off in a hansom, well secured between strong inverted commas.
This curious circumstance set me reflecting, and, as we trundled along towards Charing Cross, my mind gave birth to sundry sententious reflections.
After all, I thought, that unlucky plagiarist is no worse than most of us: for is it not true that few of us live as conscientiously as we should within our inverted commas? We are far more inclined to live in that author, not ourselves, who makes for originality. It is, of course, difficult, even with the best intentions, to make proper acknowledgment of all our 'authorities'--to attach, so to say, the true 'del. et sculp.' to all our little bits of art. There is so much in our lives that we honestly don't know how we came by.
As I reflected in this wise, I was drawn to notice my companions in the omnibus, and lo! there was not an original person amongst us. Yet I looked in vain to see if they wore their inverted commas. Not one of them, believe me, had had the honesty to bring them. Each looked at me unblushingly, as though he were really original, and not a cheap German print of originals I had seen in books and pictures since I could read. I really think that they must have been unaware of their imposture. They could hardly have pretended so successfully.
There was the young dandy just let loose from his band-box, wearing exactly the same face, the same smile, the same neck-tie, holding his stick in exactly the same fashion, talking exactly the same words, with precisely the same accent, as his neighbour, another dandy, and as all the other dandies between the Bank and Hyde Park Corner. Yet he seemed persuaded of his own originality. He evidently felt that there was something individual about him, and apparently relied with confidence on his friend not addressing a third dandy by mistake for him. I hope he had his name safe in his hat.
Looking at these three examples of Nature's love of repeating herself, I said to myself: Somewhere in heaven stands a great stencil, and at each sweep of the cosmic brush a million dandies are born, each one alike as a box of collars. Indeed, I felt that this stencil process had been employed in the manufacture of every single person in that omnibus: two middle-aged matrons, each of whom seemed to think that having given birth to six children was an indisputable claim to originality; two elderly business men to correspond; a young miss carrying music and wearing eye-glasses; and a clergyman discussing stocks with one of