Prince Zaleski | Page 9

M.P. Shiel
may develop powers slightly--very slightly, but distinctly, both in kind and degree--in advance of those of the mass who live in or about the same cycle of time in which you live. But it is only when the powers to which I refer are shared by the mass--when what, for want of another term, I call the age of the Cultured Mood has at length arrived--that their exercise will become easy and familiar to the individual; and who shall say what presciences, prisms, _s��ances_, what introspective craft, Genie apocalypses, shall not then become possible to the few who stand spiritually in the van of men.
'All this, you will understand, I say as some sort of excuse for myself, and for you, for any hesitation we may have shown in loosening the very little puzzle you have placed before me--one which we certainly must not regard as difficult of solution. Of course, looking at all the facts, the first consideration that must inevitably rivet the attention is that arising from the circumstance that Viscount Randolph has strong reasons to wish his father dead. They are avowed enemies; he is the _fianc��_ of a princess whose husband he is probably too poor to become, though he will very likely be rich enough when his father dies; and so on. All that appears on the surface. On the other hand, we--you and I--know the man: he is a person of gentle blood, as moral, we suppose, as ordinary people, occupying a high station in the world. It is impossible to imagine that such a person would commit an assassination, or even countenance one, for any or all of the reasons that present themselves. In our hearts, with or without clear proof, we could hardly believe it of him. Earls' sons do not, in fact, go about murdering people. Unless, then, we can so reason as to discover other motives--strong, adequate, irresistible--and by "irresistible" I mean a motive which must be far stronger than even the love of life itself--we should, I think, in fairness dismiss him from our mind.
'And yet it must be admitted that his conduct is not free of blame. He contracts a sudden intimacy with the acknowledged culprit, whom he does not seem to have known before. He meets her by night, corresponds with her. Who and what is this woman? I think we could not be far wrong in guessing some very old flame of Lord Pharanx's of _Th��atre des Vari��t��s_ type, whom he has supported for years, and from whom, hearing some story to her discredit, he threatens to withdraw his supplies. However that be, Randolph writes to Cibras--a violent woman, a woman of lawless passions--assuring her that in four or five days she will be excluded from the will of his father; and in four or five days Cibras plunges a knife into his father's bosom. It is a perfectly natural sequence--though, of course, the intention to produce by his words the actual effect produced might have been absent; indeed, the letter of Lord Pharanx himself, had it been received, would have tended to produce that very effect; for it not only gives an excellent opportunity for converting into action those evil thoughts which Randolph (thoughtlessly or guiltily) has instilled, but it further tends to rouse her passions by cutting off from her all hopes of favour. If we presume, then, as is only natural, that there was no such intention on the part of the earl, we may make the same presumption in the case of the son. Cibras, however, never receives the earl's letter: on the morning of the same day she goes away to Bath, with the double object, I suppose, of purchasing a weapon, and creating an impression that she has left the country. How then does she know the exact locale of Lord Pharanx's room? It is in an unusual part of the mansion, she is unacquainted with any of the servants, a stranger to the district. Can it be possible that Randolph _had told her_? And here again, even in that case, you must bear in mind that Lord Pharanx also told her in his note, and you must recognise the possibility of the absence of evil intention on the part of the son. Indeed, I may go further and show you that in all but every instance in which his actions are in themselves _outr��_, suspicious, they are rendered, not less _outr��_, but less suspicious, by the fact that Lord Pharanx himself knew of them, shared in them. There was the cruel barbing of that balcony window; about it the crudest thinker would argue thus to himself: "Randolph practically incites Maude Cibras to murder his father on the 5th, and on the 6th he has that window so altered in
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