Prince Hagen | Page 6

perplexity and alarm increase. Suddenly he sees a
figure stealing through the shadows, and he springs back, aghast.] Why,
it's a Nibelung! [Another figure passes.] Oh! I must be dreaming!
[Several more appear.] Nibelungs! Why, it's absurd! Wake up, man!
You're going crazy! [Music swells louder; figures appear, carrying gold
shields, chains, etc., with clatter.] My God!
[He stands with hands clasped to his forehead, while the uproar swells
louder and louder, and the forms become more numerous. He rushes
down stage, and the Nibelungs surround him, dancing about him in
wild career, laughing, screaming, jeering. They begin to pinch his legs
behind his back, and he leaps here and there, crying out. Gradually they
drive him toward the grotto, which opens before them, revealing a
black chasm, emitting clouds of steam. They rush in and are enveloped
in the mist. Sounds of falling and crashing are heard. The steam spreads,
gradually veiling the front of the stage.]
[Nets rise with the steam, giving the effect of a descent. During this
change the orchestra plays the music between Scenes II and III in Das
Rheingold.]

SCENE II
[Nibelheim: a vast rocky cavern. Right centre is a large gold throne,
and to the right of that an entrance through a great tunnel. Entrances
from the sides also. At the left is a large golden vase upon a stand, and
near it lie piles of golden utensils, shields, etc. Left centre is a heavy

iron door, opening into a vault. Throughout this scene there is a
suggestion of music, rising into full orchestra at significant moments.
The voices of the Nibelungs are accompanied by stopped trumpets and
other weird sounds.]
[At rise: The stage is dark. A faint light spreads. A company of
Nibelungs crosses from right to left, carrying trinkets and treasures.
Clatter of shields, crack of whips, music, etc. Another company of
Nibelungs runs in left.]
FIRST NIB. [Entering.] The earth-man has come!
SECOND NIB. Where is he?
FIRST NIB. He is with Mimi!
SECOND NIB. What is he like?
FIRST NIB. He is big! [With a gesture of fright.] Terrible!
THIRD NIB. Ah!
SECOND NIB. And the king? Does he know?
FIRST NIB. He has been told.
THIRD NIB. Where is the king?
FIRST NIB. He comes! He comes!
[The orchestra plays the Fasolt and Fafnir music, Rheingold, Scene II.
[Enter a company of Nibelungs, armed with whips, and marching with
a stately tread. They post themselves about the apartment. Enter
another company supporting KING ALBERICH. He is grey-haired and
very feeble, but ferocious-looking, and somewhat taller than the others.
His robe is lined with ermine, and he carries a gold Nibelung whip--a
short handle of gold, with leather thongs. He seats himself upon the
throne, and all make obeisance. A solemn pause.]
ALBERICH. The earth-man has come?
FIRST NIB. Yes, your majesty!
ALB. Where is Mimi?
ALL. Mimi! Mimi!
[The call is repeated off.]
MIMI. [Enters left.] Your majesty.
ALB. Where is the earth-man?
MIMI. He is safe, your majesty.
ALB. Did he resist?
MIMI. I have brought him, your majesty.
ALB. And Prince Hagen? Has he come?

MIMI. He is without, your majesty.
ALB. Let him be brought in.
[All cry out in terror.]
MIMI. Your majesty. He is wild! He fights with everyone! He . . .
ALB. Let him be brought in.
ALL. Prince Hagen! Prince Hagen!
MIMI. [Calling.] Prince Hagen !
[Some run out. The call is heard off All stand waiting in tense
expectation. The music plays the Hagen motives, with suggestions of
the Siegfried funeral march. Voices are heard in the distance, and at the
climax of the music PRINCE HAGEN and his keepers enter. He is
small for a man, but larger than any of the Nibelungs; a grim, sinister
figure, with black hair, and a glowering look. His hands are chained in
front of him, and eight Nibelungs march as a guard. He has bare arms
and limbs, and a rough black bearskin flung over his shoulders. He
enters right, and stands glaring from one to another.]
ALB. Good evening, Hagen.
HAGEN. [After a pause.] Well?
ALB. [Hesitating.] Hagen, you are still angry and rebellious?
HAGEN. I am!
ALB. [Pleading.] Hagen, you are my grandson. You are my sole
heir . . . the only representative of my line. You are all that I have in the
world!
HAGEN. Well?
ALB. You place me in such a trying position! Have you no shame . . .
no conscience? Why, some day you will be king . . . and one cannot
keep a king in chains!
HAGEN. I do not want to be in chains!
ALB. But, Hagen, your conduct is such . . . what can I do? You have
robbed . . . you have threatened murder! And you