was the one who found the Rheingold. And then there was Hagen, his son.
MIMI. Hagen!
GERALD. He killed the hero, Siegfried.
MIMI. Yes, yes!
GERALD. And then there was Mimi.
MIMI. Ah! Mimi!
GERALD. He was a very famous smith.
MIMI. [Eagerly.] You know all about them! Somebody has been there!
GERALD. What do you mean?
MIMI. Would you like to see those Nibelungs?
GERALD. [Laughing.] Why . . . I wouldn't mind.
MIMI. You would like to see them dancing in the moonlight, and hear the clatter of their trinkets and shields? You would like to meet old King Alberich, and Mimi the smith? You would like to see that cavern yawn open . . . [points to right] and fire and steam break forth, and all the Nibelungs come running out? Would you like that? ha?
GERALD. Indeed I would!
MIMI. You wouldn't be afraid?
GERALD. No, I don't think so.
MIMI. But are you sure?
GERALD. Yes . . . sure!
MIMI. All right! You wear my magic ring! You wait till night comes! Then you play! [Puts away trinkets.] I must go now.
GERALD. [Perplexed.] What do you want for your ring?
MIMI. It is not for sale. I give it.
GERALD. What!
MIMI. Money could not buy it. [Takes up pack.] I came to you because you play that music.
GERALD. But I can't . . . it . . .
MIMI. It is yours . . . you are a poet! [Starts left.] Is this the way?
GERALD. Yes. But I don't like to . . .
MIMI. Keep it! You will see! Good-bye!
GERALD. But wait!
MIMI. It is late. I must go. Good-night.
[Exit left.]
GERALD. Good-night. [Stands staring.] Well, I'll be switched! If that wasn't a queer old customer! [Looks at ring.] It feels like real gold! [Peers after MIMI.] What in the world did he mean, anyhow? The magic ring! I hope he doesn't get lost in those woods to-night. [Turns to fire.] Confound that fire! It's out for good now! Let it go. [Sits, and takes music score.] Nibelungs! They are realer than anybody guesses. People who spend their lives in digging for gold, and know and care about nothing else. How many of them I've met at mother's dinner parties! Well, I must get to my work now. [Makes a few notes; then looks up and stretches.] Ah, me! I don't know what makes me so lazy this evening. This strange heaviness! There seems to be a spell on me. [Gazes about.] How beautiful these woods are at sunset! If I were a Nibelung, I'd come here for certain! [Settles himself, reclining; shadows begin to fall; music from orchestra.] I'm good for nothing but dreaming . . . I wish Estelle were here to sing to me! How magical the twilight is! Estelle! Estelle!
[He lies motionless; music dies away, and there is a long silence. The forest is dark, with gleams of moonlight. Suddenly there is a faint note of music . . . the Nibelung theme. After a silence it is repeated; then again. Several instruments take it up. It swells louder. Vague forms are seen flitting here and there. Shadows move.]
GERALD. [Starting up suddenly.] What's that? [Silence; then the note is heard again, very faint. He starts. It is heard again, and he springs to his feet.] What's that? [Again and again. He runs to his violin, picks it up, and stares at it. Still the notes are heard, and he puts down the violin, and runs down stage, listening.] Why, what can it mean? [As the music grows louder his perplexity and alarm increase. Suddenly he sees a figure stealing through the shadows, and he springs back, aghast.] Why, it's a Nibelung! [Another figure passes.] Oh! I must be dreaming! [Several more appear.] Nibelungs! Why, it's absurd! Wake up, man! You're going crazy! [Music swells louder; figures appear, carrying gold shields, chains, etc., with clatter.] My God!
[He stands with hands clasped to his forehead, while the uproar swells louder and louder, and the forms become more numerous. He rushes down stage, and the Nibelungs surround him, dancing about him in wild career, laughing, screaming, jeering. They begin to pinch his legs behind his back, and he leaps here and there, crying out. Gradually they drive him toward the grotto, which opens before them, revealing a black chasm, emitting clouds of steam. They rush in and are enveloped in the mist. Sounds of falling and crashing are heard. The steam spreads, gradually veiling the front of the stage.]
[Nets rise with the steam, giving the effect of a descent. During this change the orchestra plays the music between Scenes II and III in Das Rheingold.]
SCENE II
[Nibelheim: a vast rocky cavern. Right centre is a large gold throne, and to the right of that an entrance through a great tunnel. Entrances from the sides also. At the left is a large golden vase upon a stand,
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.