certainly devoid of that moral and intellectual loveliness with which the acquisition of knowledge and the cultivation of sentiment animates, as with another life of overpowering grace, the lineaments and the gestures of every form which they inhabit. Their eyes could not have been deep and intricate from the workings of the mind, and could have entangled no heart in soul-enwoven labyrinths." Having painted this life-like picture of the Greek female mind, Shelley goes on to say perversely:
"Let it not be imagined that because the Greeks were deprived of its legitimate object, that they were incapable of sentimental love, and that this passion is the mere child of chivalry and the literature of modern times."
He tries to justify this assertion by adding that
"Man is in his wildest state a social being: a certain degree of civilization and refinement ever produces the want of sympathies still more intimate and complete; and the gratification of the senses is no longer all that is sought in sexual connection. It soon becomes a very small part of that profound and complicated sentiment, which we call love, which is rather the universal thirst for a communion not merely of the senses, but of our whole nature, intellectual, imaginative, and sensitive."
Here Shelley contradicts himself flatly by saying, in two consecutive sentences, that Greek women were "certainly devoid of the moral and intellectual loveliness" which inspires sentimental love, but that the men nevertheless could feel such love. His mind was evidently hazy on the subject, and that is probably the reason why his essay remained a fragment.
MACAULAY, BULWER-LYTTON, GAUTIER
Macaulay, with deeper insight than Shelley showed, realized that the passion of love may undergo changes. In his essay on Petrarch he notes that in the days of that poet love had become a new passion, and he clearly realizes the obstacles to love presented by Greek institutions. Of the two classes of women in Greece, the respectable and the hetairai, he says:
"The matrons and their daughters, confined in the harem--insipid, uneducated, ignorant of all but the mechanical arts, scarcely seen till they were married--could rarely excite interest; while their brilliant rivals, half graces, half harpies, elegant and refined, but fickle and rapacious, could never inspire respect."
Lord Lytton wrote an essay on "The Influence of Love upon Literature and Real Life," in which he stated that
"with Euripides commences the important distinction in the analysis of which all the most refined and intellectual of modern erotic literature consists, viz., the distinction between love as a passion and love as a sentiment.... He is the first of the Hellenic poets who interests us intellectually in the antagonism and affinity between the sexes."
Théophile Gautier clearly realized one of the differences between ancient passion and modern love. In _Mademoiselle de Maupin,_ he makes this comment on the ancient love-poems:
"Through all the subtleties and veiled expressions one hears the abrupt and harsh voice of the master who endeavors to soften his manner in speaking to a slave. It is not, as in the love-poems written since the Christian era, a soul demanding love of another soul because it loves.... 'Make haste, Cynthia; the smallest wrinkle may prove the grave of the most violent passion.' It is in this brutal formula that all ancient elegy is summed up."
GOLDSMITH AND ROUSSEAU
In Romantic Love and Personal Beauty I intimated (116) that Oliver Goldsmith was the first author who had a suspicion of the fact that love is not the same everywhere and at all times. My surmise was apparently correct; it is not refuted by any of the references to love by the several authors just quoted, since all of these were written from about a half a century to a century later than Goldsmith's Citizen of the World (published in 1764), which contains his dialogue on "Whether Love be a Natural or a Fictitious Passion." His assertion therein that love existed only in early Rome, in chivalrous mediaeval Europe, and in China, all the rest of the world being, and having ever been, "utter strangers to its delights and advantages," is, of course a mere bubble of his poetic fancy, not intended to be taken too seriously, and, is, moreover, at variance with facts. It is odd that he overlooks the Greeks, whereas the other writers cited confine themselves to the Greeks and their Roman imitators.
Ten years before Goldsmith thus launched the idea that most nations were and had ever been strangers to the delights and advantages of love, Jean Jacques Rousseau published a treatise, _Discours sur l'inégalité_ (1754), in which he asserted that savages are strangers to jealousy, know no domesticity, and evince no preferences, being as well pleased with one woman as with another. Although, as we shall see later, many savages do have a crude sort of jealousy, domesticity, and individual preference, Rousseau,
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