Medium's patience becomes exhausted, and he reaches for another slate from the table close behind him, and, ostentatiously washing both sides of it, lays it on the table in front of him (still controlling with his left hand the hands of his sitters), and removes the pencil from the first slate to the second, and on top of the second so places the first slate that the prepared message is underneath, on the inside and next to the other slate. The trick is done. All that now remains for the Medium to do is to hold the two slates under the table for awhile, or rest them on the shoulder close to the ear of the sitter on the Medium's right, and, by scratching with the finger nail on the frame of the slate, to imitate the writing by the Spirits with the enclosed pencil. When there are two or more sitters it is only the one on the right of the Medium who is privileged to hear the writing. To apply the slate to the ear of any other would disclose the way in which the sound of the writing is counterfeited. To him, therefore, who sits on the Medium's left, so that the Medium's hand, while holding the slates on the shoulder of the sitter on the right, is sharply outlined against the light, the motions of the Medium's fingers while the sound of writing is imitated by him may be distinctly seen.
By such elementary tricks of legerdemain as these are guileless, honest folk deceived.
Dr. Slade prefers to have only two sitters at a time, one on his right and one opposite. The fourth side of the table he prefers to have unoccupied; his manipulations of the slate can be from that side more readily observed; moreover, strange Spiritual antics may be there manifested, such as upsetting chairs which happen to be there, making slates appear above the edge of the table, etc. These manifestations are executed by the Medium's foot, which, on one occasion, was distinctly seen before it had time to get back into its slipper by one of our number, who stooped very quickly to pick up a slate which had accidentally fallen to the floor while the Spirits were trying to put it into the lap of one of the sitters.
At the first two s��ances an ordinary wooden table was used belonging to the hotel where Dr. Slade lodged. At the third s��ance a similar but larger table was used, somewhat the worse for wear, and the joints of its leaves were far from fitting close. Every crack, however, and every chink had been carefully filled up with paper to prevent, so the Medium said, 'the electricity from flowing through.'
The method of producing the long message which opened the s��ance has been described above. Whenever we received other long messages, written with some care and more or less filling the side of the slate, the agency employed was adroit substitution, generally effected when the Medium supposed that the attention of his sitters was engrossed with an answer just received to a question addressed to the Spirits. Prepared slates resting against the leg of the table behind him were substituted for those which but a moment before he had ostentatiously washed on both sides and laid on the table in front of him. The handwriting of these long messages bore an unmistakable similarity to the Medium's own.
When a question is written on the slate by a sitter, equal dexterity to that used in substituting the prepared slate, or even greater, is demanded of the Medium, in reading the question and in writing the answer.
The question is written by the sitter out of sight of the Medium, to whom the slate, face downward, is handed over and a piece of pencil placed on it.
The task now before the Medium is first to secure the fragment of pencil and to hold it while the slate is surreptitiously turned over and the question read, then the slate is turned back again and the answer written.
Every step in the process we have distinctly seen. In order to seize the fragment of pencil without awakening suspicion, while holding the slate under the table, the slate is constantly brought out to see whether or not the Spirits have written an answer. By this manoeuvre a double end is attained: First, it creates an atmosphere of expectation, and the sitters grow accustomed to a good deal of motion in the Medium's arm that holds the slate; and secondly, by these repeated motions the pencil (which, having been cut out from a slate pencil enclosed in wood, is square, and does not roll about awkwardly), is moved by the successive jerks toward the hand which holds the slate, and is gradually brought up
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