of sense and unadulterated by the content of thought, which the great artist or poet achieves.
We seem in these words to have come far from the mystic, and that contemplative consciousness wherewith he ascends to the contact of Truth. As a matter of fact, we are merely considering that consciousness in its most natural and accessible form: for contemplation is, on the one hand, the essential activity of all artists; on the other, the art through which those who choose to learn and practise it may share in some fragmentary degree, according to their measure, the special experience of the mystic and the poet. By it they may achieve that virginal outlook upon things, that celestial power of communion with veritable life, which comes when that which we call "sensation" is freed from the tyranny of that which we call "thought." The artist is no more and no less than a contemplative who has learned to express himself, and who tells his love in colour, speech, or sound: the mystic, upon one side of his nature, is an artist of a special and exalted kind, who tries to express something of the revelation he has received, mediates between Reality and the race. In the game of give and take which goes on between the human consciousness and the external world, both have learned to put the emphasis upon the message from without, rather than on their own reaction to and rearrangement of it. Both have exchanged the false imagination which draws the sensations and intuitions of the self into its own narrow circle, and there distorts and transforms them, for the true imagination which pours itself out, eager, adventurous, and self-giving, towards the greater universe.
CHAPTER III
THE PREPARATION OF THE MYSTIC
Here the practical man will naturally say: And pray how am I going to do this? How shall I detach myself from the artificial world to which I am accustomed? Where is the brake that shall stop the wheel of my image-making mind?
I answer: You are going to do it by an educative process; a drill, of which the first stages will, indeed, be hard enough. You have already acknowledged the need of such mental drill, such deliberate selective acts, in respect to the smaller matters of life. You willingly spend time and money over that narrowing and sharpening of attention which you call a "business training," a "legal education," the "acquirement of a scientific method." But this new undertaking will involve the development and the training of a layer of your consciousness which has lain fallow in the past; the acquirement of a method you have never used before. It is reasonable, even reassuring, that hard work and discipline should be needed for this: that it should demand of you, if not the renunciation of the cloister, at least the virtues of the golf course.
The education of the mystical sense begins in self-simplification. The feeling, willing, seeing self is to move from the various and the analytic to the simple and the synthetic: a sentence which may cause hard breathing and mopping of the brows on the part of the practical man. Yet it is to you, practical man, reading these pages as you rush through the tube to the practical work of rearranging unimportant fragments of your universe, that this message so needed by your time--or rather, by your want of time-- is addressed. To you, unconscious analyst, so busy reading the advertisements upon the carriage wall, that you hardly observe the stages of your unceasing flight: so anxiously acquisitive of the crumbs that you never lift your eyes to the loaf. The essence of mystical contemplation is summed in these two experiences-- union with the flux of life, and union with the Whole in which all lesser realities are resumed--and these experiences are well within your reach. Though it is likely that the accusation will annoy you, you are already in fact a potential contemplative: for this act, as St. Thomas Aquinas taught, is proper to all men--is, indeed, the characteristic human activity.
More, it is probable that you are, or have been, an actual contemplative too. Has it never happened to you to lose yourself for a moment in a swift and satisfying experience for which you found no name? When the world took on a strangeness, and you rushed out to meet it, in a mood at once exultant and ashamed? Was there not an instant when you took the lady who now orders your dinner into your arms, and she suddenly interpreted to you the whole of the universe? a universe so great, charged with so terrible an intensity, that you have hardly dared to think of it since. Do you remember that horrid moment at the concert, when you became wholly unaware of your comfortable
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