Poets of the South | Page 7

unshared sigh,?If in my fear of lapse or fall,?Close I have clung to Christ through all,?Mindless how rough the road might lie,?Sure He will smoothen it by-and-by.
"What will it matter by-and-by??Nothing but this: that Joy or Pain?Lifted me skyward,--helped me to gain,?Whether through rack, or smile, or sigh,?Heaven, home, all in all, by-and-by."
In this rapid sketch of the minor singers of the South, it has been necessary to omit many names worthy of mention. It is beyond our scope to speak of the newer race of poets. Here and there delicate notes are heard, but there is no evidence that a great singer is present among us. Yet there is no ground for discouragement; the changed conditions and the new spirit that has come upon our people may reasonably be expected to lead to higher poetic achievement.
In some respects the South affords a more promising field for literature than any other part of our country. There is evident decadence in New England. But the climate and scenery, the history and traditions, and the chivalrous spirit and unexhausted intellectual energies of the South contain the promise of an Augustan age in literature. In no insignificant degree its rich-ored veins have been worked in prose. JOEL CHANDLER HARRIS has successfully wrought in the mine of negro folk-lore; GEORGE W. CABLE has portrayed the Creole life of Louisiana; CHARLES EGBERT CRADDOCK has pictured the types of character found among the Tennessee mountains; THOMAS NELSON PAGE has shown us the trials and triumphs of Reconstruction days; and Miss MARY JOHNSTON has revived the picturesque scenes of colonial times. There has been an obvious literary awakening in the South; and sooner or later it will find utterance, let us hope, in some strong-voiced, great-souled singer.
It is true that there are obstacles to be overcome. There are no literary magazines in the South to encourage and develop our native talent as in the days of the Southern Literary Messenger. Southern writers are still dependent upon Northern periodicals, in which they can hardly be said to find a cordial welcome. It seems that the South in a measure suffers the obloquy that rested of old upon Nazareth, from which the Pharisees of the metropolis maintained that no good thing could come.
But the most serious drawback of all is the disfavor into which poetry has fallen, or rather which it has brought upon itself. In the remoteness of its themes and sentiments, in its over-anxiety for a faultless or striking technique, it has erected a barrier between itself and the sanity of a practical, truth-loving people. Let us hope that this aberration is not permanent. When poetry returns to simplicity, sincerity, and truth; when it shall voice, as in the great English singers, Tennyson and Browning, the deepest thought and aspirations of our race; when once more, as in the prophetic days of old, it shall resume its lofty, seer-like office,--then will it be restored to its place of honor by a delighted and grateful people.
CHAPTER II
EDGAR ALLAN POE
Poe occupies a peculiar place in American literature. He has been called our most interesting literary man. He stands alone for his intellectual brilliancy and his lamentable failure to use it wisely. No one can read his works intelligently without being impressed with his extraordinary ability. Whether poetry, criticism, or fiction, he shows extraordinary power in them all. But the moral element in life is the most important, and in this Poe was lacking. With him truth was not the first necessity. He allowed his judgment to be warped by friendship, and apparently sacrificed sincerity to the vulgar desire of gaining popular applause. Through intemperate habits, he was unable for any considerable length of time to maintain himself in a responsible or lucrative position. Fortune repeatedly opened to him an inviting door; but he constantly and ruthlessly abused her kindness.
Edgar Allan Poe descended from an honorable ancestry. His grandfather, David Poe, was a Revolutionary hero, over whose grave, as he kissed the sod, Lafayette pronounced the words, "Ici repose un coeur noble." His father, an impulsive and wayward youth, fell in love with an English actress, and forsook the bar for the stage. The couple were duly married, and acted with moderate success in the principal towns and cities of the country. It was during an engagement at Boston that the future poet was born, January 19, 1809. Two years later the wandering pair were again in Richmond, where within a few weeks of each other they died in poverty. They left three children, the second of whom, Edgar, was kindly received into the home of Mr. John Allan, a wealthy merchant of the city.
[Illustration: EDGAR ALLAN POE.]
The early training of Poe was misguided and unfortunate. The boy was remarkably pretty and precocious, and his foster-parents allowed no opportunity to