Poetical Works | Page 3

were recognised by the orthodoxy of their sentiment, and the dinginess of their colour, and were much relished; and so long as the stock lasted, the future author of "Caleb Williams" commanded a tolerable audience; but so soon as he had read them all, and resumed his own lucubrations, his hearers melted away, and he moved off to become a literateur in London. Perhaps Churchill, in like manner, may have found that general audiences like plain sense better than poetry. That he had ever much real piety or zeal has been gravely doubted, and we share in the doubts. But although he himself speaks slightingly, in one of his latter poems, of his ministerial labours, he at least played his part with outward decorum. His great objection to the office was still his small salary, which amounted to scarcely ��100 per annum. This compelled him to resume the occupation of a tutor, first to the young ladies attending a boarding-school in Queen Square, Bloomsbury, and then to several young gentlemen who were prosecuting the study of the classics.
When about twenty-seven years of age, he renewed his acquaintance with Robert Lloyd, the son of Dr Lloyd, one of the masters of Westminster School, and who had been an early chum of Churchill's. This young man had discovered very promising abilities, alike at Westminster and at Cambridge, and had been appointed usher in his father's seminary; but, sick of the drudgery, and infected with a fierce thirst both for fame and pleasure, had flung himself upon the literary arena. Although far inferior to Churchill in genius, and indeed little better than a clever copyist of his manner, he exerted a very pernicious influence on his friend's conduct. He borrowed inspiration from Churchill, and gave him infamy in exchange. The poet could do nothing by halves. Along with Lloyd, he rushed into a wild career of dissipation. He became a nightly frequenter of the theatres, taverns, and worse haunts. His wife, with whom, after the first year, he never seems to have been happy, instead of checking, outran her husband in extravagance and imprudence. He got deeply involved in debt, and was repeatedly in danger of imprisonment, till Dr Lloyd, his friend's father, nobly stept forward to his relief, persuaded his creditors to accept five shillings in the pound, and himself lent what was required to complete the sum. It is said that, when afterwards Churchill had made money by the sale of his poems, he voluntarily paid the whole of the original debt.
Along with the new love of indulgence, there had arisen in his bosom the old love of verse. Stimulated by intercourse with Lloyd, Colman, B. Thornton, and other wits of the period, he had written a poem, in Hudibrastic rhyme, entitled "The Bard." This he offered to one Waller, a bookseller in Fleet Street, who rejected it with scorn. In this feeling Churchill seems afterwards to have shared, as he never would consent to its publication. Not at all discouraged, he sat down and wrote a satire entitled "The Conclave," directed against the Dean and Chapter of Westminster,--Dr Zachary Pearce, a favourite of Churchill's ire, being then Dean. This would have been published but for the fear of legal proceedings. It was extremely personal and severe. His third effort was destined to be more successful. This was "The Rosciad," written, it is said, after two months' close attendance on the theatres. This excessively clever satire he offered to various booksellers, some say for twenty pounds, others for five guineas. It was refused, and he had to print it at his own expense. It appeared, without his name, in March 1761. Churchill now, like Byron, "awoke one morning and found himself famous." A few days convinced him and all men that a decided hit had been made, and that a strong new satirist had burst, like a comet, into the sky--
"With fear of change perplexing" players.
The effect was prodigious. The critics admired--the victims of his satire writhed and raved--the public greedily bought, and all cried out, "Who can this be?" The Critical Review, then conducted by Smollett, alone opposed the general opinion. It accused Colman and Lloyd of having concocted "The Rosciad," for the purpose of puffing themselves. This compelled Churchill to quit his mask. He announced his name as the author of the poem, and as preparing another--his "Apology"--addressed to the Critical Reviewers, which accordingly appeared ere the close of April. It proved a second bombshell, cast into the astonished town. Smollett was keenly assailed in it, and had to write to Churchill, through Garrick, that he was not the writer of the obnoxious critique. Garrick, himself the hero of "The Rosciad," was here rather broadly reminded that heroes are mortal, and that kings may be dethroned, and had to