Poems | Page 4

Brow 'Tis a Soldier's Rigid Duty The Spring-Time of Love is Both Happy and Gay From My Fate There's No Retreating Lads and Lasses Trip Away All Hail the King! Home Sky, Stream, Moorland, and Mountain Dared These Lips My Sad Story Impart Fiery Mars, Thy Votary Hear Ah! Love is not a Garden-Flower The King, The Princes of the Court Victoria! Victoria! This Gloomy Cell is my Abode at Last Hark! 'Tis the Deep-Toned Midnight Bell Once, Mild and Gentle was my Heart The Gentle Bird on Yonder Spray That Law's the Perfection of Reason With Mercy Let Justice What Outrage More?--At Whose Command The Javelin From an Unseen Hand Rejoice! Our Loyal Hearts We Bring Our Hearts are Bounding with Delight
Notes The Deserted Bride The Croton Ode Woodman, Spare That Tree The Chieftain's Daughter Song of Marion's Men Janet McRea The Dog-Star Rages The Prairie on Fire The Sweep's Carol The Fallen Brave of Mexico The Champions of Liberty The Rock of the Pilgrims The Soldier's Welcome Home The Origin of Yankee Doodle New-York in 1826 The Maid of Saxony

Memoir of George P. Morris.
By Horace Binney Wallace.
Bless thou thy lot; thy simple strains have led The high-born muse to be the poor man's guest, And wafted on the wings of song, have sped Their way to many a rude, unlettered breast.
-- Beranger.
Morris has hung the most beautiful thoughts in the world upon hinges of [illegible]; and his songs are destined to roll over bright lips enough to form a [sonnet? illegible]. His sentiments are simple, honest, truthful, and familiar; his language is pure and eminently musical, and he is prodigally full of the poetry of every-day living.
-- Willis.

The distinction with which the name of General Morris is now associated in a permanent connection with what is least factitious or fugitive in American Art, is admitted and known; but the class of young men of letters in this country, at present, can hardly appreciate the extent to which they, and the profession to which they belong, are indebted to his animated exertions, his varied talents, his admirable resources of temper, during a period of twenty years, and at a time when the character of American literature, both at home and abroad was yet to be formed. The first great service which the literary taste of this country received, was rendered by Dennie; a remarkable man; qualified by nature and attainments to be a leader in new circumstances; fit to take part in the formation of a national literature; as a vindicator of independence in thought, able to establish freedom without disturbing the obligations of law; as a conservative in taste, skilful to keep the tone of the great models with which his studies were familiar, without copying their style; by both capacities successful in developing the one, unchangeable spirit of Art, under a new form and with new effects. In this office of field-marshal of our native forces, General Morris succeeded him under increased advantages, in some respect with higher powers, in a different, and certainly a vastly more extended sphere of influence. The manifold and lasting benefits which, as editor of "The Mirror," General Morris conferred on art and artists of every kind, by his tact, his liberality, the superiority of his judgement, and the vigor of his abilities; by the perseverance and address with which he disciplined a corps of youthful writers, in the presence of a constant and heavy fire from the batteries of foreign criticism; by the rare combination, so valuable in dealing with the numerous aspirants in authorship with whom his position brought him in contact; of a quick, true eye to discern in the modesty of some nameless manuscript the future promises of a power hardly yet conscious of itself; a discretion to guide by sound advice, and a generosity to aid with the most important kind of assistance; the firm and open temper which his example tended to inspire into the relations of literary men with one another throughout the land; and more than all, perhaps, by the harmony and union, of such inappreciable value, especially in the beginning of national effort, between the several sister arts of writing, music, painting, and dramatic exhibition, which the singular variety and discursiveness of his intellectual sympathies led him constantly to maintain and vindicate; these, in the multiplicity of their operation, and the full power of their joint effect, can be perfectly understood only by those who possessed a contemporaneous knowledge of the circumstances, and who, remembering the state of things at the commencement of the period alluded to, and observing what existed at the end of it, are able to look back over the whole interval, and see to what influences and what persons the extraordinary change which has taken place, is to be