wife that the justices of the Supreme Court were of a self-denying habit, never taking wine except in wet weather. "But it does sometimes happen that the Chief Justice will say to me, when the cloth is removed, 'Brother Story, step to the window and see if it does not look like rain.' And if I tell him that the sun is shining brightly, Judge Marshall will sometimes reply, 'All the better, for our jurisdiction extends over so large a territory that the doctrine of chances makes it certain that it must be raining somewhere.'"
Our own theory about cider is that the time to drink it is when it reaches you; and if it hails from Chester County, so much the better.
We remember with gusto a little soliloquy on cider delivered by another friend of ours, as we both stood in a decent ordinary on Fulton Street, going through all the motions of jocularity and cheer. Cider (he said) is our refuge and strength. Cider, he insisted, drawing from his pocket a clipping much tarnished with age, is a drink for men of reason and genteel nurture; a drink for such as desire to drink pleasantly, amiably, healthily, and with perseverance and yet retain the command and superintendence of their faculties. I have here (he continued) a clipping sent me by an eminent architect in the great city of Philadelphia (a city which it is a pleasure for me to contemplate by reason of the beauty and virtue of its women, the infinite vivacity and good temper of its men, the rectitudinal disposition of its highways)--I have here (he exclaimed) a clipping sent me by an architect of fame, charming parts, and infinite cellarage, explaining the virtues of cider. Cider, this clipping asserts, produces a clearness of the complexion. It brightens the eye, particularly in women, conducing to the composition of generous compliment and all the social suavity that endears the intercourse of the sexes. Longevity, this extract maintains, is the result of application to good cider. The Rev. Martin Johnson, vicar of Dilwyn, in Herefordshire, from 1651 to 1698 (he read from his clipping), wrote:
This parish, wherein sider is plentiful, hath many people that do enjoy this blessing of long life; neither are the aged bedridden or decrepit as elsewhere; next to God, wee ascribe it to our flourishing orchards, first that the bloomed trees in spring do not only sweeten but purify the ambient air; next, that they yield us plenty of rich and winy liquors, which do conduce very much to the constant health of our inhabitants. Their ordinary course is to breakfast and sup with toast and sider through the whole Lent; which heightens their appetites and creates in them durable strength to labour.
There was a pause, and our friend (he is a man of girth and with a brow bearing all the candor of a life of intense thought) leaned against the mahogany counter.
That is very fine, we said, draining our chalice, and feeling brightness of eye, length of years, and durable strength to labour added to our person. In the meantime (we said) why do you not drink the rich and winy liquor which your vessel contains?
He folded up his clipping and put it away with a sigh.
I always have to read that first, he said, to make the damned stuff palatable. It will be ten years, he said, before the friend who sent me that clipping will have to drink any cider.
ONE-NIGHT STANDS
[Illustration]
To those looking for an exhilarating vacation let us commend a week of "trouping" on one-night stands with a theatrical company, which mirthful experience has just been ours. We went along in the very lowly capacity of co-author, which placed us somewhat beneath the stage hands as far as dignity was concerned; and we flatter ourself that we have learned our station and observe it with due humility. The first task of the director who stages a play is to let the author know where he gets off. This was accomplished in our case by an argument concerning a speech in the play where one of the characters remarks, "I propose to send a mental message to Eliza." This sounds (we contend) quite a harmless sentiment, but the director insisted that the person speaking, being an Englishman of studious disposition, would not say anything so inaccurate. "He would use much more correct language," said the director. "He ought to say 'I purpose to send.'" We balked mildly at this. "All right," said our mentor. "The trouble with you is you don't know any English. I'll send you a copy of the Century dictionary."
This gentleman carried purism to almost extravagant lengths. He objected to the customary pronunciation of "jew's-harp," insisting that the word should be "juice-harp," and instructing the actor who mentioned
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