Pigeons from Hell | Page 9

and left long before sundown."
"What did the people think about Miss Elizabeth's story?" asked Griswell.
"Well, most folks thought she'd gone a little crazy, livin' in that old house alone. But some people believed that mulatto girl, Joan, didn't run away, after all. They believed she'd hidden in the woods, and glutted her hatred of the Blassenvilles by murderin' Miss Celia and the three girls. They beat up the woods with bloodhounds, but never found a trace of her. If there was a secret room in the house, she might have been hidin' there - if there was anything to that theory."
"She couldn't have been hiding there all these years," muttered Griswell. "Anyway, the thing in the house now isn't human."
Buckner wrenched the wheel around and turned into a dim trace that left the main road and meandered off through the pines.
"Where are you going?"
"There's an old Negro that lives off this way a few miles. I want to talk to him. We're up against something that takes more than white man's sense. The black people know more than we do about some things. This old man is nearly a hundred years old. His master educated him when he was a boy, and after he was freed he traveled more extensively than most white men do. They say he's a voodoo man."
Griswell shivered at the phrase, staring uneasily at the green forest walls that shut them in. The scent of the pines was mingled with the odors of unfamiliar plants and blossoms. But underlying all was a reek of rot and decay. Again a sick abhorrence of these dark mysterious woodlands almost overpowered him.
"Voodoo!" he muttered. "I'd forgotten about that - I never could think of black magic in connection with the South. To me witchcraft was always associated with old crooked streets in waterfront towns, overhung by gabled roofs that were old when they were hanging witches in Salem; dark musty alleys where black cats and other things might steal at night. Witchcraft always meant the old towns of New England, to me - but all this is more terrible than any New England legend - these somber pines, old deserted houses, lost plantations, mysterious black people, old tales of madness and horror - God, what frightful, ancient terrors there are on this continent fools call 'young'!"
"Here's old Jacob's hut," announced Buckner, bringing the automobile to a halt.
Griswell saw a clearing and a small cabin squatting under the shadows of the huge trees. The pines gave way to oaks and cypresses, bearded with gray trailing moss, and behind the cabin lay the edge of a swamp that ran away under the dimness of the trees, choked with rank vegetation. A thin wisp of blue smoke curled up from the stick-and-mud chimney.
He followed Buckner to the tiny stoop, where the sheriff pushed open the leather-hinged door and strode in. Griswell blinked in the comparative dimness of the interior. A single small window let in a little daylight. An old Negro crouched beside the hearth, watching a pot stew over the open fire. He looked up as they entered, but did not rise. He seemed incredibly old. His face was a mass of wrinkles, and his eyes, dark and vital, were filmed momentarily at times as if his mind wandered.
Buckner motioned Griswell to sit down in a string-bottomed chair, and himself took a rudely-made bench near the hearth, facing the old man.
"Jacob," he said bluntly, "the time's come for you to talk. I know you know the secret of Blassenville Manor. I've never questioned you about it, because it wasn't in my line. But a man was murdered there last night, and this man here may hang for it, unless you tell me what haunts that old house of the Blassenvilles."
The old man's eyes gleamed, then grew misty as if clouds of extreme age drifted across his brittle mind.
"The Blassenvilles," he murmured, and his voice was mellow and rich, his speech not the patois of the piny woods darky. "They were proud people, sirs - proud and cruel. Some died in the war, some were killed in duels - the menfolks, sirs. Some died in the Manor - the old Manor---" His voice trailed off into unintelligible mumblings.
"What of the Manor?" asked Buckner patiently.
"Miss Celia was the proudest of them all," the old man muttered. "The proudest and the cruelest. The black people hated her; Joan most of all. Joan had white blood in her, and she was proud, too. Miss Celia whipped her like a slave."
"What is the secret of Blassenville Manor?" persisted Buckner.
The film faded from the old man's eyes; they were dark as moonlit wells.
"What secret, sir? I do not understand."
"Yes, you do. For years that old house has stood there with its mystery. You know the key to