Pierre And His People

ꩮPierre And His People (Tales Of The Far North), complete

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Title: Pierre And His People, [Tales of the Far North], Complete
Author: Gilbert Parker
Release Date: July, 2004 [EBook #6179] [Yes, we are more than one year ahead of schedule] [This file was first posted on August 27, 2002]
Edition: 10
Language: English
Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK PIERRE AND HIS PEOPLE, BY PARKER ***

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[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]

PIERRE AND HIS PEOPLE
TALES OF THE FAR NORTH
By Gilbert Parker
Volume 1.

CONTENTS
Volume 1. THE PATROL OF THE CYPRESS HILLS GOD'S GARRISON A HAZARD OF THE NORTH
Volume 2. A PRAIRIE VAGABOND SHE OF THE TRIPLE CHEVRON THREE OUTLAWS
Volume 3. SHON MCGANN'S TOBOGAN RIDE PERE CHAMPAGNE THE SCARLET HUNTER THE STONE
Volume 4. THE TALL MASTER THE CRIMSON FLAG THE FLOOD IN PIPI VALLEY
Volume 5. ANTOINE AND ANGELIQUE THE CIPHER A TRAGEDY OF NOBODIES A SANCTUARY OF THE PLAINS

GENERAL INTRODUCTION
With each volume of this subscription edition (1912) there is a special introduction, setting forth, in so far as seemed possible, the relation of each work to myself, to its companion works, and to the scheme of my literary life. Only one or two things, therefore, need be said here, as I wish God-speed to this edition, which, I trust, may help to make old friends warmer friends and new friends more understanding. Most of the novels and most of the short stories were suggested by incidents or characters which I had known, had heard of intimately, or, as in the case of the historical novels, had discovered in the works of historians. In no case are the main characters drawn absolutely from life; they are not portraits; and the proof of that is that no one has ever been able to identify, absolutely, any single character in these books. Indeed, it would be impossible for me to restrict myself to actual portraiture. It is trite to say that photography is not art, and photography has no charm for the artist, or the humanitarian indeed, in the portrayal of life. At its best it is only an exhibition of outer formal characteristics, idiosyncrasies, and contours. Freedom is the first essential of the artistic mind. As will be noticed in the introductions and original notes to several of these volumes, it is stated that they possess anachronisms; that they are not portraits of people living or dead, and that they only assume to be in harmony with the spirit of men and times and things. Perhaps in the first few pages of 'The Right of Way' portraiture is more nearly reached than in any other of these books, but it was only the nucleus, if I may say so, of a larger development which the original Charley Steele never attained. In the novel he grew to represent infinitely more than the original ever represented in his short life.
That would not be strange when it is remembered that the germ of The 'Right of Way' was growing in my mind over a long period of years, and it must necessarily have developed into a larger conception than the original character could have suggested. The same may be said of the chief characters in 'The Weavers'. The story of the two brothers--David Claridge and Lord Eglington--in that book was brewing in my mind for quite fifteen years, and the main incidents and characters of other novels in this edition had the same slow growth. My forthcoming novel, called 'The Judgment House', had been in my mind for nearly twenty years and only emerged when it was full grown, as it were; when I was so familiar with the characters that they seemed as real in all ways as though