you had put her in a good humor for listening! A woman rarely listens. How many times have you recoiled from the burthen of your imperious obligations!
The conclusion of your ministerial communication can be no other than: "You have no sense." You foresee the effect of your first lesson. Caroline will say to herself: "Ah I have no sense! Haven't I though?"
No woman ever takes this in good part. Both of you must draw the sword and throw away the scabbard. Six weeks after, Caroline may prove to you that she has quite sense enough to /minotaurize/ you without your perceiving it.
Frightened at such a prospect, you make use of all the eloquent phrases to gild this pill. In short, you find the means of flattering Caroline's various self-loves, for:
Axiom.--A married woman has several self-loves.
You say that you are her best friend, the only one well situated to enlighten her; the more careful you are, the more watchful and puzzled she is. At this moment she has plenty of sense.
You ask your dear Caroline, whose waist you clasp, how she, who is so brilliant when alone with you, who retorts so charmingly (you remind her of sallies that she has never made, which you put in her mouth, and, which she smilingly accepts), how she can say this, that, and the other, in society. She is, doubtless, like many ladies, timid in company.
"I know," you say, "many very distinguished men who are just the same."
You cite the case of some who are admirable tea-party oracles, but who cannot utter half a dozen sentences in the tribune. Caroline should keep watch over herself; you vaunt silence as the surest method of being witty. In society, a good listener is highly prized.
You have broken the ice, though you have not even scratched its glossy surface: you have placed your hand upon the croup of the most ferocious and savage, the most wakeful and clear-sighted, the most restless, the swiftest, the most jealous, the most ardent and violent, the simplest and most elegant, the most unreasonable, the most watchful chimera of the moral world--THE VANITY OF A WOMAN!
Caroline clasps you in her arms with a saintly embrace, thanks you for your advice, and loves you the more for it; she wishes to be beholden to you for everything, even for her intellect; she may be a dunce, but, what is better than saying fine things, she knows how to do them! But she desires also to be your pride! It is not a question of taste in dress, of elegance and beauty; she wishes to make you proud of her intelligence. You are the luckiest of men in having successfully managed to escape from this first dangerous pass in conjugal life.
"We are going this evening to Madame Deschars', where they never know what to do to amuse themselves; they play all sorts of forfeit games on account of a troop of young women and girls there; you shall see!" she says.
You are so happy at this turn of affairs, that you hum airs and carelessly chew bits of straw and thread, while still in your shirt and drawers. You are like a hare frisking on a flowering dew-perfumed meadow. You leave off your morning gown till the last extremity, when breakfast is on the table. During the day, if you meet a friend and he happens to speak of women, you defend them; you consider women charming, delicious, there is something divine about them.
How often are our opinions dictated to us by the unknown events of our life!
You take your wife to Madame Deschars'. Madame Deschars is a mother and is exceedingly devout. You never see any newspapers at her house: she keeps watch over her daughters by three different husbands, and keeps them all the more closely from the fact that she herself has, it is said, some little things to reproach herself with during the career of her two former lords. At her house, no one dares risk a jest. Everything there is white and pink and perfumed with sanctity, as at the houses of widows who are approaching the confines of their third youth. It seems as if every day were Sunday there.
You, a young husband, join the juvenile society of young women and girls, misses and young people, in the chamber of Madame Deschars. The serious people, politicians, whist-players, and tea-drinkers, are in the parlor.
In Madame Deschars' room they are playing a game which consists in hitting upon words with several meanings, to fit the answers that each player is to make to the following questions:
How do you like it?
What do you do with it?
Where do you put it?
Your turn comes to guess the word, you go into the parlor, take part in a discussion, and return at the
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