Penrod | Page 7

Penrod. "I got him up here, and I guess I can get him down!"
"Well then, DO it!"
"I will if you'll let me alone. If you'll go on back to the house I promise to be there inside of two minutes. Honest!"
He put extreme urgency into this, and his mother turned toward the house. "If you're not there in two minutes----"
"I will be!"
After her departure, Penrod expended some finalities of eloquence upon Duke, then disgustedly gathered him up in his arms, dumped him into the basket and, shouting sternly, "All in for the ground floor--step back there, madam--all ready, Jim!" lowered dog and basket to the floor of the storeroom. Duke sprang out in tumultuous relief, and bestowed frantic affection upon his master as the latter slid down from the box.
Penrod dusted himself sketchily, experiencing a sense of satisfaction, dulled by the overhanging afternoon, perhaps, but perceptible: he had the feeling of one who has been true to a cause. The operation of the elevator was unsinful and, save for the shock to Duke's nervous system, it was harmless; but Penrod could not possibly have brought himself to exhibit it in the presence of his mother or any other grown person in the world. The reasons for secrecy were undefined; at least, Penrod did not define them.

CHAPTER III
THE COSTUME
After lunch his mother and his sister Margaret, a pretty girl of nineteen, dressed him for the sacrifice. They stood him near his mother's bedroom window and did what they would to him.
During the earlier anguishes of the process he was mute, exceeding the pathos of the stricken calf in the shambles; but a student of eyes might have perceived in his soul the premonitory symptoms of a sinister uprising. At a rehearsal (in citizens' clothes) attended by mothers and grown-up sisters, Mrs. Lora Rewbush had announced that she wished the costuming to be "as medieval and artistic as possible." Otherwise, and as to details, she said, she would leave the costumes entirely to the good taste of the children's parents. Mrs. Schofield and Margaret were no archeologists, but they knew that their taste was as good as that of other mothers and sisters concerned; so with perfect confidence they had planned and executed a costume for Penrod; and the only misgiving they felt was connected with the tractability of the Child Sir Lancelot himself.
Stripped to his underwear, he had been made to wash himself vehemently; then they began by shrouding his legs in a pair of silk stockings, once blue but now mostly whitish. Upon Penrod they visibly surpassed mere ampleness; but they were long, and it required only a rather loose imagination to assume that they were tights.
The upper part of his body was next concealed from view by a garment so peculiar that its description becomes difficult. In 1886, Mrs. Schofield, then unmarried, had worn at her "coming-out party" a dress of vivid salmon silk which had been remodelled after her marriage to accord with various epochs of fashion until a final, unskilful campaign at a dye-house had left it in a condition certain to attract much attention to the wearer. Mrs. Schofield had considered giving it to Della, the cook; but had decided not to do so, because you never could tell how Della was going to take things, and cooks were scarce.
It may have been the word "medieval" (in Mrs. Lora Rewbush's rich phrase) which had inspired the idea for a last conspicuous usefulness; at all events, the bodice of that once salmon dress, somewhat modified and moderated, now took a position, for its farewell appearance in society, upon the back, breast, and arms of the Child Sir Lancelot.
The area thus costumed ceased at the waist, leaving a Jaeger- like and unmedieval gap thence to the tops of the stockings. The inventive genius of woman triumphantly bridged it, but in a manner which imposes upon history almost insuperable delicacies of narration. Penrod's father was an old-fashioned man: the twentieth century had failed to shake his faith in red flannel for cold weather; and it was while Mrs. Schofield was putting away her husband's winter underwear that she perceived how hopelessly one of the elder specimens had dwindled; and simultaneously she received the inspiration which resulted in a pair of trunks for the Child Sir Lancelot, and added an earnest bit of colour, as well as a genuine touch of the Middle Ages, to his costume. Reversed, fore to aft, with the greater part of the legs cut off, and strips of silver braid covering the seams, this garment, she felt, was not traceable to its original source.
When it had been placed upon Penrod, the stockings were attached to it by a system of safety-pins, not very perceptible at a distance. Next, after being severely warned against stooping, Penrod