Pelle the Conqueror, vol 2 | Page 6

was the curse of the house which continually hung over him. He was so slow at his work that already Pelle could overtake him; there was something inside him that seemed to hamper his movements like a sort of spell. But Peter and Emil were smart fellows--only they were always wanting to thrash him.
Among the apple trees in the yard it was early summer, and close under the workshop windows the pig stood smacking at his food. This sound was like a warm breeze that blew over Pelle's heart. Since the day when Klaus Hermann had shaken the squeaking little porker out of his sack, Pelle had begun to take root. It had squealed at first in a most desolate manner, and something of Pelle's own feeling of loneliness was taken away from him by its cries. Now it complained simply because it was badly fed, and it made Pelle quite furious to see the nasty trash that was thrown to it--a young pig must eat well, that is half the battle. They ought not to go running out every few minute to throw something or other to the pig; when once the heat really set in it would get acidity of the stomach. But there was no sense in these town folk.
"Are you really asleep, booby? Why, you are snoring, deuce take me!"
The young master came limping in, took a drink, and buried himself in his book. As he read he whistled softly in time with the hammer- strokes of the others. Little Nikas began to whistle too, and the two older apprentices who were beating leather began to strike in time with the whistling, and they even kept double time, so that everything went like greased lightning. The journeyman's trills and quavers became more and more extraordinary, in order to catch up with the blows--the blows and the whistling seemed to be chasing one another--and Master Andres raised his head from his book to listen. He sat there staring into the far distance, as though the shadowy pictures evoked by his reading were hovering before his eyes. Then, with a start, he was present and among them all, his eyes running over them with a waggish expression; and then he stood up, placing his stick so that it supported his diseased hip. The master's hands danced loosely in the air, his head and his whole figure jerking crazily under the compulsion of the rhythm.
_Swoop!_--and the dancing hands fell upon the cutting-out knife, and the master fingered the notes on the sharp edge, his head on one side and his eyes closed--his whole appearance that of one absorbed in intent inward listening. But then suddenly his face beamed with felicity, his whole figure contracted in a frenzy of delight, one foot clutched at the air as though bewitched, as though he were playing a harp with his toes--Master Andres was all at once a musical idiot and a musical clown. And _smack!_ the knife flew to the ground and he had the great tin cover in his hand-- _chin-da-da-da chin-da-da-da!_ Suddenly by a stroke of magic the flute had turned into a drum and cymbals!
Pelle was doubled up with laughter: then he looked in alarm at the knee-strap and again burst out laughing; but no one took any notice of him. The master's fingers and wrist were dancing a sort of devil's dance on the tin cover, and all of a sudden his elbows too were called into requisition, so that the cover banged against the master's left knee, bounced off again and quick as lightning struck against his wooden heel, which stuck out behind him; then against Pelle's head, and round about it went, striking the most improbable objects, _dum, dum, dum_, as though in wild, demoniacal obedience to the flute-like tones of the journeyman. There was no holding back. Emil, the oldest apprentice, began boldly to whistle too, cautiously at first, and then, as no one smacked his head, more forcefully. Then the next apprentice, Jens--the music-devil, as he was called, because anything would produce a note between his fingers--plucked so cleverly at his waxed-end that it straightway began to give out a buzzing undertone, rising and falling through two or three notes, as though an educated bumble-bee had been leading the whole orchestra. Out of doors the birds came hopping on to the apple-boughs; they twisted their heads inquisitively to one side, frantically fluffed out their feathers, and then they too joined in this orgy of jubilation, which was caused merely by a scrap of bright blue sky. But then the young master had an attack of coughing, and the whole business came to an end.
Pelle worked away at his cobbler's wax, kneading the pitch and mixing grease with it. When the black lump was on