Peeps at Many Lands: Egypt | Page 9

or tray, upon which refreshments are served, and the copper brazier which contains the charcoal fire, but from the ceiling hang numbers of beautifully-wrought lamps of metal and coloured glass. We can imagine how rich a scene such a room would form when illuminated for the reception of guests whose gorgeous Oriental costumes accord so well with its handsome interior, while the finishing touch is given by the performance of the musicians and singing girls with which the guests are entertained, leading one instinctively to call to mind many similar scenes so wonderfully described in the "Arabian Nights." Many of the adventures of its heroes and heroines are suggested by the secret passages which the wall cupboards often hide, and may well have occurred in houses we may visit to-day in Cairo, for, more than any other, Cairo is the city of the "Arabian Nights," and in our walks one may at any moment meet the hunchback or the pastry-cook, or the one-eyed calender, whose adventures fills so many pages of that fascinating book; while the summary justice and drastic measures of the old khalifs are recalled by the many instruments of torture or of death which may still be seen hanging in the bazaars or from the city gates.
Everyone who goes to Cairo is astonished at the great number and beauty of its mosques, nearly every street having one or more. Altogether there are some 500 or more in Cairo, as well as a great number of lesser shrines where the people worship. I will tell you how this comes about. We have often read in the "Arabian Nights" in what a high-handed and frequently unjust manner the property of some poor unfortunate would be seized and given to another. This was very much the case in Cairo in the olden days, and khalifs and cadis, muftis and pashas, were not very scrupulous about whose money or possessions they administered, and even to-day in some Mohammedan countries it is not always wise for a man to grow rich.
[Illustration: A MOSQUE INTERIOR.]
And so it was that in order to escape robbery in the name of law many wealthy merchants preferred to build during their lifetime a mosque or other public building, while money left for this purpose was regarded as sacred, and so the many beautiful sebils and mosques of Cairo came into existence.
Egypt is so old that even the Roman times appear new, and one is tempted to regard these glorious buildings of the Mohammedan era as only of yesterday. Yet many of the mosques which people visit and admire are older than any church or cathedral in England. We all think of Lincoln Cathedral or Westminster Abbey as being very venerable buildings, and so they are; but long before they were built the architecture of the Mohammedans in Egypt had developed into a perfect style, and produced many of the beautiful mosques in which the Cairene prays to-day.
As a rule the mosque was also the tomb of its founder, and the dome was designed as a canopy over his burial-place, so that when a mosque is domed we know it to be the mausoleum of some great man, while the beautiful minaret or tower is common to all mosques, whether tomb-mosque or not.
One of the most striking features of a mosque is the doorway, which is placed in a deep arched recess, very lofty and highly ornamented. A flight of stone steps lead from the street to the door, which is often of hammered bronze and green with age, and from a beam which spans the recess hang curious little lamps, which are lit on fete days.
At the top of the steps is a low railing or barrier which no one may cross shod, for beyond this is holy ground, where, as in the old days of Scripture, every one must "put off his shoes from off his feet."
The interior of the mosque is often very rich and solemn. It is usually built in the form of a square courtyard, open to the sky, in which is the "hanafieh," or tank, where "the faithful" wash before prayers. The court is surrounded by cloisters supported by innumerable pillars, or else lofty horseshoe arches lead into deep bays or recesses, the eastern one of which, called the "kibleh," is the holiest, and corresponds to our chancel, and in the centre of the wall is the "mirhab," or niche, which is in the direction of Mecca, and the point towards which the Moslem prays.
Marble pavements, beautiful inlay of ivory and wood, stained-glass windows, and elaborately decorated ceilings and domes, beautify the interior, and go to form a rich but subdued coloured scheme, solemn and restful, and of which perhaps my picture will give you some idea.
Attached to most mosques is a