Paul and Virginia | Page 7

feelings, after frequent humiliating disputes and disappointments had driven him from society; or rather, when, like Rousseau, he was "self-banished" from it.
"I was struck," he says, "with an extraordinary malady. Streams of fire, like lightning, flashed before my eyes; every object appeared to me double, or in motion: like OEdipus, I saw two suns. . . In the finest day of summer, I could not cross the Seine in a boat without experiencing intolerable anxiety. If, in a public garden, I merely passed by a piece of water, I suffered from spasms and a feeling of horror. I could not cross a garden in which many people were collected: if they looked at me, I immediately imagined they were speaking ill of me." It was during this state of suffering, that he devoted himself with ardour to collecting and making use of materials for that work which was to give glory to his name.
It was only by perseverance, and disregarding many rough and discouraging receptions, that he succeeded in making acquaintance with Rousseau, whom he so much resembled. St. Pierre devoted himself to his society with enthusiasm, visiting him frequently and constantly, till Rousseau departed for Ermenonville. It is not unworthy of remark, that both these men, such enthusiastic admirers of Nature and the natural in all things, should have possessed factitious rather than practical virtue, and a wisdom wholly unfitted for the world. St. Pierre asked Rousseau, in one of their frequent rambles, if, in delineating St. Preux, he had not intended to represent himself. "No," replied Rousseau, "St. Preux is not what I have been, but what I wished to be." St. Pierre would most likely have given the same answer, had a similar question been put to him with regard to the Colonel in "Paul and Virginia." This at least, appears the sort of old age he loved to contemplate, and wished to realize.
For six years, he worked at his "Etudes," and with some difficulty found a publisher for them. M. Didot, a celebrated typographer, whose daughter St. Pierre afterwards married, consented to print a manuscript which had been declined by many others. He was well rewarded for the undertaking. The success of the "Etudes de la Nature" surpassed the most sanguine expectation, even of the author. Four years after its publication, St. Pierre gave to the world "Paul and Virginia," which had for some time been lying in his portfolio. He had tried its effect, in manuscript, on persons of different characters and pursuits. They had given it no applause; but all had shed tears at its perusal: and perhaps, few works of a decidedly romantic character have ever been so generally read, or so much approved. Among the great names whose admiration of it is on record, may be mentioned Napoleon and Humboldt.
In 1789, he published "Les Veoeux d'un Solitaire," and "La Suite des Voeux." By the /Moniteur/ of the day, these works were compared to the celebrated pamphlet of Sieyes,--"Qu'est-ce que le tiers etat?" which then absorbed all the public favour. In 1791, "La Chaumiere Indienne" was published: and in the following year, about thirteen days before the celebrated 10th of August, Louis XVI. appointed St. Pierre superintendant of the "Jardin des Plantes." Soon afterwards, the King, on seeing him, complimented him on his writings and told him he was happy to have found a worthy successor to Buffon.
Although deficient in the exact knowledge of the sciences, and knowing little of the world, St. Pierre was, by his simplicity, and the retirement in which he lived, well suited, at that epoch, to the situation. About this time, and when in his fifty-seventh year, he married Mlle. Didot.
In 1795, he became a member of the French Academy, and, as was just, after his acceptance of this honour, he wrote no more against literary societies. On the suppression of his place, he retired to Essonne. It is delightful to follow him there, and to contemplate his quiet existence. His days flowed on peaceably, occupied in the publication of "Les Harmonies de la Nature," the republication of his earlier works, and the composition of some lesser pieces. He himself affectingly regrets an interruption to these occupations. On being appointed Instructor to the Normal School, he says, "I am obliged to hang my harp on the willows of my river, and to accept an employment useful to my family and my country. I am afflicted at having to suspend an occupation which has given me so much happiness."
He enjoyed in his old age, a degree of opulence, which, as much as glory, had perhaps been the object of his ambition. In any case, it is gratifying to reflect, that after a life so full of chance and change, he was, in his latter years, surrounded by much that