Paul and Virginia | Page 3

Bernardin de Saint Pierre
*not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

Etext prepared by Dagny, [email protected] and John Bickers, [email protected]

Paul and Virginia
by Bernardin de Saint Pierre

WITH A MEMOIR OF THE AUTHOR

PREFACE
In introducing to the Public the present edition of this well known and affecting Tale,--the /chef d'oeuvre/ of its gifted author, the Publishers take occasion to say, that it affords them no little gratification, to apprise the numerous admirers of "Paul and Virginia," that the /entire/ work of St. Pierre is now presented to them. All the previous editions have been disfigured by interpolations, and mutilated by numerous omissions and alterations, which have had the effect of reducing it from the rank of a Philosophical Tale, to the level of a mere story for children.
Of the merits of "Paul and Virginia," it is hardly necessary to utter a word; it tells its own story eloquently and impressively, and in a language simple, natural and true, it touches the common heart of the world. There are but few works that have obtained a greater degree of popularity, none are more deserving it; and the Publishers cannot therefore refrain from expressing a hope that their efforts in thus giving a faithful transcript of the work,--an acknowledged classic by the European world,--may be, in some degree, instrumental in awakening here, at home, a taste for those higher works of Fancy, which, while they seek to elevate and strengthen the understanding, instruct and purify the heart. It is in this character that the Tale of "Paul and Virginia" ranks pre-eminent. [Prepared from an edition published by Porter & Coates, Philadelphia, U.S.A.]

MEMOIR OF BERNARDIN DE ST. PIERRE
Love of Nature, that strong feeling of enthusiasm which leads to profound admiration of the whole works of creation, belongs, it may be presumed, to a certain peculiarity of organization, and has, no doubt, existed in different individuals from the beginning of the world. The old poets and philosophers, romance writers, and troubadours, had all looked upon Nature with observing and admiring eyes. They have most of them given incidentally charming pictures of spring, of the setting sun, of particular spots, and of favourite flowers.
There are few writers of note, of any country, or of any age, from whom quotations might not be made in proof of the love with which they regarded Nature. And this remark applies as much to religious and philosophic writers as to poets,--equally to Plato, St. Francois de Sales, Bacon, and Fenelon, as to Shakespeare, Racine, Calderon, or Burns; for from no really philosophic or religious doctrine can the love of the works of Nature be excluded.
But before the days of Jean Jacques Rousseau, Buffon, and Bernardin de St. Pierre, this love of Nature had not been expressed in all its intensity. Until their day, it had not been written on exclusively. The lovers of Nature were not, till then, as they may perhaps since be considered, a sect apart. Though perfectly sincere in all the adorations they offered, they were less entirely, and certainly less diligently and constantly, her adorers.
It is the great praise of Bernardin de St. Pierre, that coming immediately after Rousseau and Buffon, and being one of the most proficient writers of the same school, he was in no degree their imitator, but perfectly original and new. He intuitively perceived the immensity of the subject he intended to explore, and has
Continue reading on your phone by scaning this QR Code

 / 61
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.