Past and Present | Page 3

to leave all special?criticism in the wrong. And we may easily fail in expressing the general objection which we feel. It appears to us as a certain disproportion in the picture, caused by the obtrusion of the whims of the painter. In this work, as in his former labours, Mr. Carlyle reminds us of a sick giant. His humours are?expressed with so much force of constitution that his?fancies are more attractive and more credible than the sanity of duller men. But the habitual exaggeration of the tone wearies whilst it stimulated.
It is felt to be so much deduction from the universality of the picture. It is not serene sunshine, but everything is seen in lurid storm lights. Every object attitudinises, to the very mountains and stars almost, under the refraction of this?wonderful humorist; and instead of the common earth and sky, we have a Martin's Creation or Judgment Day. A crisis has always arrived which requires a deus ex machina. One can hardly credit, whilst under the spell of this magician, that the world always had the same bankrupt look, to foregoing ages as to us--as of a failed world just re-collecting its old withered forces to begin again and try to do a little business. It was perhaps inseparable from the attempt to write a book of wit and?imagination on English politics, that a certain local emphasis and love of effect, such as is the vice of preaching, should appear, producing on the reader a feeling of forlornness by the excess of value attributed to circumstances. But the splendour of wit cannot out--dazzle the calm daylight, which always shows every individual man in balance with his age, and able to work out his own salvation from all the follies of that, and no such glaring contrasts or severalties in that or this. Each age has its own follies, as its majority is made up of foolish young people; its superstitions appear no superstitions to itself; and if you should ask the contemporary, he would tell you, with pride or with regret (according as he was practical or poetic), that he had none. But after a short time, down go its follies and weakness and the memory of them; its virtues alone remain, and its limitation assumes the poetic form of a beautiful?superstition, as the dimness of our sight clothes the objects in the horizon with mist and colour. The revelation of Reason is this of the un-changeableness of the fate of humanity under all its subjective aspects; that to the cowering it always cowers, to the daring it opens great avenues. The ancients are only venerable to us because distance has destroyed what was trivial; as the sun and stars affect us only grandly, because we cannot reach to their smoke and surfaces and say, Is that all?
And yet the gravity of the times, the manifold and increasing dangers of the English State, may easily excuse some overcolouring?of the picture; and we at this distance are not so far?removed from any of the specific evils, and are deeply?participant in too many, not to share the gloom and thank the love and the courage of the counselor. This book is full of humanity, and nothing is more excellent in this as in all Mr. Carlyle's works than the attitude of the writer. He has the dignity of a man of letters, who knows what belongs to him, and never deviates from his sphere; a continuer of the great line of scholars, and sustains their office in the highest credit and honour. If the good heaven have any good word to impart to this unworthy generation, here is one scribe qualified and clothed for its occasion. One excellence he has in an age of Mammon and of criticism, that he never suffers the eye of his wonder to close. Let who will be the dupe of trifles, he cannot keep his eye oft from that gracious Infinite which embosoms us.
As a literary artist he has great merits, beginning with the main one that he never wrote one dull line. How well-read, how?adroit, what thousand arts in his one art of writing; with his expedient for expressing those unproven opinions which he?entertains but will not endorse, by summoning one of his men of straw from the cell,--and the respectable Sauerteig, or?Teufelsdrockh, or Dryasdust, or Picturesque Traveler, says what is put into his mouth, and disappears. That morbid temperament has given his rhetoric a somewhat bloated character; a luxury to many imaginative and learned persons, like a showery south-wind with its sunbursts and rapid chasing of lights and glooms over the landscape, and yet its offensiveness to multitudes of?reluctant lovers makes us often wish some concession were?possible on the part of the humorist. Yet it must not be?forgotten that in all his fun