Parnassus on Wheels | Page 3

duplicate contracts for your signature in case this proves satisfactory to you.
Believe us, etc., etc.,
DECAMERON, JONES & CO.
I have since thought that "Paradise Lost" would have been a better title for that book. It was published in the autumn of 1907, and since that time our life has never been the same. By some mischance the book became the success of the season; it was widely commended as "a gospel of health and sanity" and Andrew received, in almost every mail, offers from publishers and magazine editors who wanted to get hold of his next book. It is almost incredible to what stratagems publishers will descend to influence an author. Andrew had written in "Paradise Regained" of the tramps who visit us, how quaint and appealing some of them are (let me add, how dirty), and how we never turn away any one who seems worthy. Would you believe that, in the spring after the book was published, a disreputable-looking vagabond with a knapsack, who turned up one day, blarneyed Andrew about his book and stayed overnight, announced himself at breakfast as a leading New York publisher? He had chosen this ruse in order to make Andrew's acquaintance.
You can imagine that it didn't take long for Andrew to become spoiled at this rate! The next year he suddenly disappeared, leaving only a note on the kitchen table, and tramped all over the state for six weeks collecting material for a new book. I had all I could do to keep him from going to New York to talk to editors and people of that sort. Envelopes of newspaper cuttings used to come to him, and he would pore over them when he ought to have been ploughing corn. Luckily the mail man comes along about the middle of the morning when Andrew is out in the fields, so I used to look over the letters before he saw them. After the second book ("Happiness and Hayseed" it was called) was printed, letters from publishers got so thick that I used to put them all in the stove before Andrew saw them--except those from the Decameron Jones people, which sometimes held checks. Literary folk used to turn up now and then to interview Andrew, but generally I managed to head them off.
But Andrew got to be less and less of a farmer and more and more of a literary man. He bought a typewriter. He would hang over the pigpen noting down adjectives for the sunset instead of mending the weather vane on the barn which took a slew so that the north wind came from the southwest. He hardly ever looked at the Sears Roebuck catalogues any more, and after Mr. Decameron came to visit us and suggested that Andrew write a book of country poems, the man became simply unbearable.
And all the time I was counting eggs and turning out three meals a day, and running the farm when Andrew got a literary fit and would go off on some vagabond jaunt to collect adventures for a new book. (I wish you could have seen the state he was in when he came back from these trips, hoboing it along the roads without any money or a clean sock to his back. One time he returned with a cough you could hear the other side of the barn, and I had to nurse him for three weeks.) When somebody wrote a little booklet about "The Sage of Redfield" and described me as a "rural Xantippe" and "the domestic balance-wheel that kept the great writer close to the homely realities of life" I made up my mind to give Andrew some of his own medicine. And that's my story.


CHAPTER TWO
It was a fine, crisp morning in fall--October I dare say--and I was in the kitchen coring apples for apple sauce. We were going to have roast pork for dinner with boiled potatoes and what Andrew calls Vandyke brown gravy. Andrew had driven over to town to get some flour and feed and wouldn't be back till noontime.
Being a Monday, Mrs. McNally, the washerwoman, had come over to take care of the washing. I remember I was just on my way out to the wood pile for a few sticks of birch when I heard wheels turn in at the gate. There was one of the fattest white horses I ever saw, and a queer wagon, shaped like a van. A funny-looking little man with a red beard leaned forward from the seat and said something. I didn't hear what it was, I was looking at that preposterous wagon of his.
It was coloured a pale, robin's-egg blue, and on the side, in big scarlet letters, was painted:
R. MIFFLIN'S TRAVELLING PARNASSUS GOOD BOOKS FOR SALE SHAKESPEARE, CHARLES LAMB, R.L.S. HAZLITT, AND ALL