Padre Ignacio | Page 8

of, and Victor Hugo, whom the Padre disliked. Long after the dulce, or sweet dish, when it was the custom for the vaqueros and the rest of the retainers to rise and leave the gente fina to themselves, the host sat on in the empty hail, fondly talking to his guest of his bygone Paris and fondly learning of the later Paris that the guest had seen. And thus the two lingered, exchanging their enthusiasms, while the candles waned, and the long-haired Indians stood silent behind the chairs.
"But we must go to my piano," the host exclaimed. For at length they had come to a lusty difference of opinion. The Padre, with ears critically deaf, and with smiling, unconvinced eyes, was shaking his head, while young Gaston sang Trovatore at him, and beat upon the table with a fork.
"Come and convert me, then," said Padre Ignacio, and he led the way. "Donizetti I have always admitted. There, at least, is refinement. If the world has taken to this Verdi, with his street-band music--But there, now! Sit down and convert me. Only don't crush my poor little Erard with Verdi's hoofs. I brought it when I came. It is behind the times, too. And, oh, my dear boy, our organ is still worse. So old, so old! To get a proper one I would sacrifice even this piano of mine in a moment--only the tinkling thing is not worth a sou to anybody except its master. But there! Are you quite comfortable?" And having seen to his guest's needs, and placed spirits and cigars and an ash-tray within his reach, the Padre sat himself comfortably in his chair to hear and expose the false doctrine of Il Trovatore.
By midnight all of the opera that Gaston could recall had been played and sung twice. The convert sat in his chair no longer, but stood singing by the piano. The potent swing and flow of rhythms, the torrid, copious inspiration of the South, mastered him. "Verdi has grown," he cried. "Verdi is become a giant." And he swayed to the beat of the melodies, and waved an enthusiastic arm. He demanded every note. Why did not Gaston remember it all? But if the barkentine would arrive and bring the whole music, then they would have it right! And he made Gaston teach him what words he knew. "'Non ti scorder,'" he sang--"'non ti scordar di me.' That is genius. But one sees how the world moves when one is out of it. 'A nostri monti ritorneremo'; home to our mountains. Ah, yes, there is genius again." And the exile sighed and his spirit voyaged to distant places, while Gaston continued brilliantly with the music of the final scene.
Then the host remembered his guest. "I am ashamed of my selfishness," he said. "It is already to-morrow."
"I have sat later in less good company," answered the pleasant Gaston. "And I shall sleep all the sounder for making a convert."
"You have dispensed roadside alms," said the Padre, smiling, "and that should win excellent dreams."
Thus, with courtesies more elaborate than the world has time for at the present day, they bade each other good-night and parted, bearing their late candles along the quiet halls of the mission. To young Gaston in his bed easy sleep came without waiting, and no dreams at ail. Outside his open window was the quiet, serene darkness, where the stars shone clear, and tranquil perfumes hung in the cloisters. But while the guest lay sleeping all night in unchanged position like a child, up and down between the oleanders went Padre Ignacio, walking until dawn. Temptation indeed had come over the hill and entered the cloisters.

III
Day showed the ocean's surface no longer glassy, but lying like a mirror breathed upon; and there between the short headlands came a sail, gray and plain against the flat water. The priest watched through his glasses, and saw the gradual sun grow strong upon the canvas of the barkentine. The message from his world was at hand, yet to-day he scarcely cared so much. Sitting in his garden yesterday, he could never have imagined such a change. But his heart did not hail the barkentine as usual. Books, music, pale paper, and print--this was all that was coming to him, some of its savor had gone; for the siren voice of Life had been speaking with him face to face, and in his spirit, deep down, the love of the world was restlessly answering it. Young Gaston showed more eagerness than the Padre over this arrival of the vessel that might be bringing Trovatore in the nick of time. Now he would have the chance, before he took his leave, to help rehearse the new music with the choir. He would be a missionary, too: a