Out of the Ashes | Page 6

Ethel Watts Mumford
knew that Mrs. Marteen was a--Hang it! What possible right had he to jump to the wild conviction that Victor Mahr had been blackmailed at all? Because he was a friend of the lady's--a pretty reason that! Did men make friends of--Yes, they did; he intended to himself; why not that hound of a Mahr? Clifton did know something. Mahr was just the sort of scoundrel to drag in a woman's name. Why shouldn't he in such a case? Then, with one of his quick changes of mood, he laughed at himself. "I'm jealous because I think I'm not the only victim! It's time I consulted a physician. I'm going dotty. She's a wonder, though, that woman. What a brain, and what a splendid presence! But there's something vital lacking; no soul, no conscience--that's the trouble," he commented inwardly--little dreaming that he exactly voiced the criticism universally passed upon himself. Then his thoughts took a new tack. "Wonder what the daughter is like? I'll have to hunt her up. It's a joke--if it is on me! Must see my débutante. After all, if I'm paying, I ought to look her over. She's going to the Opera--in Denning's box--h'm!"
Gard broke two engagements, and at the appointed hour found himself wandering through the corridor back of the first tier boxes at the Metropolitan. Its bare convolutions were as resonant as a sea shell. Vast and vague murmurs of music, presages of melodies, undulated through the passages, palpitated like the living breath of Euterpe, suppressed excitement lurked in every turn, there was throb and glow in each pulsating touch of unseen instruments. Gard found his heart tightening, his nostrils expanding. A flash of the divine fire of youth leaped through his veins. Adventure suddenly beckoned him--the lure of the unknown, of the magic x of algebra in human equation. So great was his enjoyment that he savored it as one savors a dainty morsel, lingering over it, fearful that the next taste may destroy the perfect flavor.
He paced the corridor, nodding here and there, pausing for a moment to chat with this or that personage, affable, noncommittal, Chesterfieldian, handsome and distinguished in his clean, silver-touched middle age.
Inwardly he was fretting for their appearance--his débutante and Mme. Robin Hood. Of course they must do the conventional thing and be late. But to his pleased surprise, just as the overture was drawing to its close, he saw Denning and his wife approaching. Behind them he discerned the finely held head and chiseled features of the Lady of Compulsion, and close beside her a slender, girlish figure, shrouded in a silver and ermine cloak, a tinsel scarf half veiled a flower face, gentle, tremulous and inspired--a Jeanne d'Arc of high birth and luxurious rearing. Something tightened about his heart. The child's very appearance was dramatic coupled with the presence of her mother. What the one lacked, the other possessed in its clearest essence.
With a hasty greeting to Denning and his diamond-sprinkled spouse, Gard turned with real cordiality to Mrs. Marteen.
"This is a pleasure!" He beamed with sincerity. "Dear madam, present me to your lovely daughter. We must be friends, Miss Dorothy. Your very wise and resourceful mamma has given me many an interesting hour--more than she has ever dreamed, I believe."
He turned, accompanied them to the box and assisted the ladies with their wraps. Dorothy turned upon him a pair of violet eyes, that at the mention of her mother's name had lighted with adoration.
"Isn't she wonderful!" she murmured, casting a bashful glance at Mrs. Marteen; then she added with simple gratefulness: "I'm glad you're friends." In her child's fashion she had looked him over and approved.
A glow of pride suffused him. The obeisance of the kings of finance was not so sweet to his natural vanity. "She's one in a million," he answered heartily. "She should have been a man--and yet we would have lost much in that case--you, for instance." He turned toward Mrs. Marteen. "I congratulate you," he smiled. "She's just the sort of a girl that should have a good time--the very best the world can give her; the world owes it. But aren't you"--and he lowered his voice--"just a little afraid of those ecstatic eyes? Dear child, she must keep all the pink and gold illusions--" The end of his sentence he spoke really to himself. But an expression in his hearer's face brought him to sudden consciousness. Quite unexpectedly he had surprised fear in the classic marble of the goddess face. The woman, who had not hesitated to commit crime, feared the contact of the world for her child. It was a curious revelation. All that was best, most generous and kindly in his nature rose to the surface, and his smile was the rare one that endeared him to
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