Our Nervous Friends | Page 3

Robert S. Carroll
any right use of her muscular self. She read much; she read well; she read intensely. She attended a private school and long before her time was an accredited young lady. Mentally, she matured very early, and with the exception of the damaging influences which have been mentioned, she represented a superior capacity for feeling and conceiving and accomplishing, even as she possessed an equally keen capacity for suffering.
She was most winsome at sixteen, a bit frail and fragile, often spoken of as a rare piece of Sevres, beloved with a tenderness which would have warped the disposition of one less unselfish; emotionally intense, brilliancy and vivacity periodically burst through the habit of her reserve. A perfect pupil, and in all fine things literary, keenly alive, she had written several short sketches which showed imaginative originality and a sympathetic sensitiveness, especially toward human suffering. And her uncle was sure that a greater than George Eliot had come. There was to be a year abroad, and as the doctor and her teacher in English agreed on Italy, there she went. At seventeen, during the year in Florence, the inevitable lover came. Family traditions, parents, her orphanage, the protective surroundings of her uncle's home, her instincts--all had kept her apart. Her knowledge of young lovers was but literary, and this particular young lover presented a side which soon laid deep hold on her confidence. They studied Italian together. He was musical, she was poetic, and he gracefully fitted her sonnets to melodies. Finally, it seemed that the great Song of Life had brought them together to complete one of its harmonies. Her confidence grew to love, the love which seemed to stand to her for life. Then the awful suddenness, which had in the past marked her sorrows, burst in again. In one heart-breaking, repelling half-hour his other self was revealed, and a damaged love was left to minister to wretchedness. Here was a hurt denied even the expression of mourning stationery or black apparel--a hurt which must be hidden and ever crowded back into the bursting within. Immediate catastrophe would probably have followed had not, first, the fine pride of her fine self, then the demands of her art for expression, stepped in to save. She would write. She now knew human nature. She had tasted bitterness; and with renewed seriousness she became a severely hard- working student. But the wealth of her joy-life slipped away; the morbid made itself apparent in every chapter she wrote, while intensity became more and more the key-note of thought and effort.
Back at her uncle's home, the uncle who was now even more convinced that Ethel had never outlived the shock of the loss of her parents, she found that honest study and devotion to her self-imposed tasks, and a life of much physical comfort and rarely artistic surroundings, were all failing to make living worth while. In fact, things were getting into a tangle. She was becoming noticeably restless. Repose was so lost that it was only with increasing effort that she could avoid attracting the attention of those near. Even in church it would seem that some demon of unrest would never be appeased and only could be satisfied by constant changing of position. Thoughts of father and mother, and the affair in Florence, intensified this spirit of unrest, and few conscious minutes passed that unseen stray locks were not being replaced. It seemed to be a relief to take off and put on, time and again, the ring which had been her mother's. Even her feet seemed to rebel at the confinement of shoes, and she became obsessed with the impulse to remove them, even in the theater or at the concert. A sighing habit developed. It had been growing for years into an air- hunger, and finally all physical, and much of mental, effort developed a sense of suffocation which demanded short periods of absolute rest. Associations were then formed between certain foods and disturbing digestive sensations. Tea alone seemed to help, and she became dependent upon increasingly numerous cups of this beverage. Knowing her history as we do, we can easily see how she had become abnormally acute in her responses to the discomforts which are always associated with painful emotions, and that emotional distress was interpreted, or misinterpreted, as physical disorder. Each year she became more truly a sensitive-plant, suffering and keenly alive to every discomfort, more and more easily fatigued by the conflicts between emotions, which craved expression, and the will, which demanded repression.
Since the days in Florence there had been a growing antagonism to men, certainly to all who indicated any suitor-like attitude. In her heart she was forsworn. She had loved deeply once. Her idealism said it could never come again. But her antagonism, and her
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