Our Friend John Burroughs | Page 5

A physician of thirty years' practice asks in all seriousness how often the lions bring forth their young, and whether it is true that there is a relation between the years in which they breed and the increased productivity of human beings. One correspondent begs Mr. Burroughs to tell him how he and his wife and Theodore Roosevelt fold their hands (as though the last-named ever folded his), declaring he can read their characters with surprising accuracy if this information is forthcoming. In this instance, I think, Mr. Burroughs folded his hands serenely, leaving his correspondent waiting for the valued data.
The reader will doubtless be interested to see the kind of letter the children sometimes get from their friend. I am fortunate in having one written in 1887 to a rhetoric class in Fulton, New York, and one in 1911, written to children in the New York City schools, both of which I will quote:--
West Park, N. Y., February 21, 1887
My Dear Young Friends,--
Your teacher Miss Lawrence has presumed that I might have something to say to a class of boys and girls studying rhetoric, and, what is more, that I might be disposed to say it. What she tells me about your interest in my own writings certainly interests me and makes me wish I might speak a helpful word to you. But let me tell you that very little conscious rhetoric has gone into the composition of those same writings.
Valuable as the study of rhetoric undoubtedly is, it can go but a little way in making you successful writers. I think I have got more help as an author from going a-fishing than from any textbook or classbook I ever looked into. Miss Lawrence will not thank me for encouraging you to play truant, but if you take Bacon's or Emerson's or Arnold's or Cowley's essays with you and dip into them now and then while you are waiting for the fish to bite, she will detect some fresh gleam in your composition when next you hand one in.
There is no way to learn style so sure as by familiarity with nature, and by study of the great authors. Shakespeare can teach you all there is to be learned of the art of expression, and the rhetoric of a live trout leaping and darting with such ease and sureness cannot well be beaten.
What you really have in your heart, what you are in earnest about, how easy it is to say that!
Miss Lawrence says you admire my essay on the strawberry. Ah! but I loved the strawberry--I loved the fields where it grew, I loved the birds that sang there, and the flowers that bloomed there, and I loved my mother who sent me forth to gather the berries; I loved all the rural sights and sounds, I felt near them, so that when, in after years, I came to write my essay I had only to obey the old adage which sums up all of the advice which can be given in these matters, "Look in thy heart and write."
The same when I wrote about the apple. I had apples in my blood and bones. I had not ripened them in the haymow and bitten them under the seat and behind my slate so many times in school for nothing. Every apple tree I had ever shinned up and dreamed under of a long summer day, while a boy, helped me to write that paper. The whole life on the farm, and love of home and of father and mother, helped me to write it. In writing your compositions, put your rhetoric behind you and tell what you feel and know, and describe what you have seen.
All writers come sooner or later to see that the great thing is to be simple and direct; only thus can you give a vivid sense of reality, and without a sense of reality the finest writing is mere froth.
Strive to write sincerely, as you speak when mad, or when in love; not with the tips of the fingers of your mind, but with the whole hand.
A noted English historian [Freeman] while visiting Vassar College went in to hear the rhetoric class. After the exercises were over he said to the professor, "Why don't you teach your girls to spin a plain yarn?" I hope Miss Lawrence teaches you to spin a plain yarn. There is nothing like it. The figures of rhetoric are not paper flowers to be sewed upon the texture of your composition; they have no value unless they are real flowers which sprout naturally from your heart.
What force in the reply of that little Parisian girl I knew of! She offered some trinkets for sale to a lady on the street. "How much is this?" asked the