promontories, and islands, marked on the official map.
One does not trust youth enough, that is in short what is the matter with our educational method, in this part of it at least, which concerns "what one is to read." One teases oneself too much, and one's infants, too, poor darlings, with what might be called the "scholastic-veneration-cult"; the cult, namely, of becoming a superior person by reading the best authors. It comes back, after all, to what your young person emphatically is, in himself, independent of all this acquiring. If he has the responsive chord, the answering vibration, he may well get more imaginative stimulus from reading "Alice in Wonderland," than from all the Upanishads and Niebelungenlieds in the world. It is a matter of the imagination, and to the question "What is one to read?" the best reply must always be the most personal: "Whatever profoundly and permanently stimulates your imagination." The list of books which follows in this volume constitutes in itself, in the mere perusal of the titles, such a potential stimulation. A reader who demands, for instance, why George Eliot is omitted, and Oliver Onions included; why Sophocles is excluded and Catullus admitted, is brought face to face with that essential right of personal choice in these high matters, which is not only the foundation of all thrilling interest in literature, but the very ground and soil of all-powerful literary creation. The secret of the art of literary taste, may it not be found to be nothing else than the secret of the art of life itself--I mean the capacity for discovering the real fatality, the real predestined direction of one's intrinsic nature and the refusal, when this is found, to waste one's energies in alien paths and irrelevant junketings?
A list of books of the kind appended here, becomes, by the very reason of its shameless subjectivity, a challenge to the intelligence perusing it--a challenge that is bound, in some degree or another, to fling such a reader back upon his own inveterate prejudices; to fling him back upon them with a sense that it is his affair reasonably to justify them.
From quite another point of view, however, might the appended list find its excuse--I mean as being a typical choice; in other words, the natural choice of a certain particular minority of minds, who, while disagreeing in most essentials, in this one important essential find themselves in singular harmony. And this minority of minds, of minds with the especial prejudices and predilections indicated in this list, undoubtedly has a real and definite existence; there are such people, and any list of books which they made would exclude the writers here excluded, and include the writers here included, though in particular instances, the motives of the choice might differ. For purely psychological reasons then--as a kind of human document in criticism, shall we say?--such a list comes to have its value; nor can the value be anything but enhanced by the obvious fact that in this particular company there are several quite prominent and popular writers, both ancient and modern, signalized, as it were, if not penalized, by their surprising absence. The niches of such venerated names do not exactly call aloud for occupancy, for they are emphatically filled by less popular figures; but they manifest a sufficient sense of incongruity to give the reader's critical conscience the sort of jolt that is so salutary a mental stimulus. A further value might be discovered for our exclusive catalogue, in the interest of noting--and this interest might well appeal to those who would themselves have selected quite a different list--the curious way certain books and writers have of hanging inevitably together, and necessarily implying one another.
Thus it appears that the type of mind--it would be presumptuous to call it the best type of mind--which prefers Euripides to Sophocles, and Heine to Schiller, prefers also Emily Bront? to Charlotte Bront?, and Oliver Onions to Compton Mackenzie. Given the mind that in compiling such a list would at once drag in The Odyssey and The Psalms, and run hastily on to Sir Thomas Browne and Charles Lamb, we are instinctively conscious that when it reaches, with its arbitrary divining rod, our own unlucky age, it will skip quite lightly over Thackeray; wave an ambiguous hand in the direction of Meredith, and sit solemnly down to make elaborate mention of all the published works of Walter Pater, Thomas Hardy and Mr. Henry James.
It seems to me that nothing is more necessary, in regard to the advice to be given to young and ardent people, in the matter of their reading, than some sort of communication of the idea--and it is not an easy idea to convey--that there is in this affair a subtle fusion desirable between one's natural indestructible prejudices,
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