One Basket | Page 6

Edna Ferber
bed. The Very Young Wife half dozed in her bed, so near the little one. In the hall, her stout figure looming grotesque in wall shadows, sat Blanche Devine, pretending to read. Now and then she rose and tiptoed into the bedroom with miraculous quiet, and stooped over the little bed and listened and looked--and tiptoed away again, satisfied.
The Young Husband came home from his business trip next day with tales of snowdrifts and stalled engines. Blanche Devine breathed a sigh of relief when she saw him from her kitchen window. She watched the house now with a sort of proprietary eye. She wondered about Snooky; but she knew better than to ask. So she waited. The Young Wife next door had told her husband all about that awful night--had told him with tears and sobs. The Very Young Husband had been very, very angry with her-- angry, he said, and astonished! Snooky could not have been so sick! Look at her now! As well as ever. And to have called such a woman! Well, he did not want to be harsh; but she must understand that she must never speak to the woman again. Never!
So the next day the Very Young Wife happened to go by with the Young Husband. Blanche Devine spied them from her sitting-room window, and she made the excuse of looking in her mailbox in order to go to the door. She stood in the doorway and the Very Young Wife went by on the arm of her husband. She went by--rather white-faced--without a look or a word or a sign!
And then this happened! There came into Blanche Devine's face a look that made slits of her eyes, and drew her mouth down into an ugly, narrow line, and that made the muscles of her jaw tense and hard. It was the ugliest look you can imagine. Then she smiled--if having one's lips curl away from one's teeth can be called smiling.
Two days later there was great news of the white cottage on the corner. The curtains were down; the furniture was packed; the rugs were rolled. The wagons came and backed up to the house and took those things that had made a home for Blanche Devine. And when we heard that she had bought back her interest in the House with the Closed Shutters, near the freight depot, we sniffed.
"I knew she wouldn't last!" we said.
"They never do!" said we.

The Gay Old Dog [1917]
Those of you who have dwelt--or even lingered--in Chicago, Illinois, are familiar with the region known as the Loop. For those others of you to whom Chicago is a transfer point between New York and California there is presented this brief explanation:
The Loop is a clamorous, smoke-infested district embraced by the iron arms of the elevated tracks. In a city boasting fewer millions, it would be known familiarly as downtown. From Congress to Lake Street, from Wabash almost to the river, those thunderous tracks make a complete circle, or loop. Within it lie the retail shops, the commercial hotels, the theaters, the restaurants. It is the Fifth Avenue and the Broadway of Chicago.
And he who frequents it by night in search of amusement and cheer is known, vulgarly, as a Loop-hound.
Jo Hertz was a Loop-hound. On the occasion of those sparse first nights granted the metropolis of the Middle West he was always present, third row, aisle, left. When a new Loop cafe' was opened, Jo's table always commanded an unobstructed view of anything worth viewing. On entering he was wont to say, "Hello, Gus," with careless cordiality to the headwaiter, the while his eye roved expertly from table to table as he removed his gloves. He ordered things under glass, so that his table, at midnight or thereabouts, resembled a hotbed that favors the bell system. The waiters fought for him. He was the kind of man who mixes his own salad dressing. He liked to call for a bowl, some cracked ice, lemon, garlic, paprika, salt, pepper, vinegar, and oil and make a rite of it. People at near-by tables would lay down their knives and forks to watch, fascinated. The secret of it seemed to lie in using all the oil in sight and calling for more.
That was Jo--a plump and lonely bachelor of fifty. A plethoric, roving- eyed, and kindly man, clutching vainly at the garments of a youth that had long slipped past him. Jo Hertz, in one of those pinch-waist suits and a belted coat and a little green hat, walking up Michigan Avenue of a bright winter's afternoon, trying to take the curb with a jaunty youthfulness against which every one of his fat-encased muscles rebelled, was a sight for mirth or pity, depending on one's vision.
The gay-dog business was a late phase
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