the style of Dantan. It wasn't half bad. I will show it you.'
'And Elena Nikolaevna's bust?' inquired Bersenyev, 'is it getting on?'
'No, my dear boy, it's not getting on. That face is enough to drive one to despair. The lines are pure, severe, correct; one would think there would be no difficulty in catching a likeness. It's not as easy as one would think though. It's like a treasure in a fairy-tale--you can't get hold of it. Have you ever noticed how she listens? There's not a single feature different, but the whole expression of the eyes is constantly changing, and with that the whole face changes. What is a sculptor--and a poor one too--to do with such a face? She's a wonderful creature--a strange creature,' he added after a brief pause.
'Yes; she is a wonderful girl,' Bersenyev repeated after him.
'And she the daughter of Nikolai Artemyevitch Stahov! And after that people talk about blood, about stock! The amusing part of it is that she really is his daughter, like him, as well as like her mother, Anna Vassilyevna. I respect Anna Vassilyevna from the depths of my heart, she's been awfully good to me; but she's no better than a hen. Where did Elena get that soul of hers? Who kindled that fire in her? There's another problem for you, philosopher!'
But as before, the 'philosopher' made no reply. Bersenyev did not in general err on the side of talkativeness, and when he did speak, he expressed himself awkwardly, with hesitation, and unnecessary gesticulation. And at this time a kind of special stillness had fallen on his soul, a stillness akin to lassitude and melancholy. He had not long come from town after prolonged hard work, which had absorbed him for many hours every day. The inactivity, the softness and purity of the air, the consciousness of having attained his object, the whimsical and careless talk of his friend, and the image--so suddenly called up--of one dear to him, all these impressions different--yet at the same time in a way akin--were mingled in him into a single vague emotion, which at once soothed and excited him, and robbed him of his power. He was a very highly strung young man.
It was cool and peaceful under the lime-tree; the flies and bees seemed to hum more softly as they flitted within its circle of shade. The fresh fine grass, of purest emerald green, without a tinge of gold, did not quiver, the tall flower stalks stood motionless, as though enchanted. On the lower twigs of the lime-tree the little bunches of yellow flowers hung still as death. At every breath a sweet fragrance made its way to the very depths of the lungs, and eagerly the lungs inhaled it. Beyond the river in the distance, right up to the horizon, all was bright and glowing. At times a slight breeze passed over, breaking up the landscape and intensifying the brightness; a sunlit vapour hung over the fields. No sound came from the birds; they do not sing in the heat of noonday; but the grasshoppers were chirping everywhere, and it was pleasant as they sat in the cool and quietness, to hear that hot, eager sound of life; it disposed to slumber and inclined the heart to reveries.
'Have you noticed,' began Bersenyev, eking out his words with gesticulations, 'what a strange feeling nature produces in us? Everything in nature is so complete, so defined, I mean to say, so content with itself, and we understand that and admire it, and at the same time, in me at least, it always excites a kind of restlessness, a kind of uneasiness, even melancholy. What is the meaning of it? Is it that in the face of nature we are more vividly conscious of all our incompleteness, our indefiniteness, or have we little of that content with which nature is satisfied, but something else--I mean to say, what we need, nature has not?'
'H'm,' replied Shubin, 'I'll tell you, Andrei Petrovitch, what all that comes from. You describe the sensations of a solitary man, who is not living but only looking on in ecstasy. Why look on? Live, yourself, and you will be all right. However much you knock at nature's door, she will never answer you in comprehensible words, because she is dumb. She will utter a musical sound, or a moan, like a harp string, but don't expect a song from her. A living heart, now--that will give you your answer--especially a woman's heart. So, my dear fellow, I advise you to get yourself some one to share your heart, and all your distressing sensations will vanish at once. "That's what we need," as you say. This agitation, and melancholy, all that, you know, is simply a hunger of a kind. Give the
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.