On the Choice of Books | Page 9

knew nothing, nor (from what they paraded of them) felt that I had lost much by my ignorance."[A]
[Footnote A: Diary of Thomas Moore. (Lond. 1856.) Vol. vii., p. 224]
In 1835, after the publication of "Sartor Resartus," Carlyle received an invitation from some American admirers of his writings, to visit their country, and he contemplated doing so, but his labours in examining and collecting materials for his great work on "The French Revolution," then hastening towards completion, prevented him.
We may say that, for many reasons, it is to be regretted that this design was never carried into execution. Had Carlyle witnessed with his own eyes the admirable working of democratic institutions in the United States, he might have done more justice to our Transatlantic brethren, who were always his first and foremost admirers, and he might also have acquired more faith in the future destinies of his own countrymen.
In December, 1837, Carlyle wrote a very remarkable letter to a correspondent in India, which has never been printed in his works, and which we are enabled to give here entire. It is addressed to Major David Lester Richardson, in acknowledgment of his "Literary Leaves, or Prose and Verse," published at Calcutta in 1836. These "Literary Leaves" contain among other things an article on the Italian Opera (taking much the same view of it as Carlyle does), and a sketch of Edward Irving. These papers no doubt pleased Carlyle, and perhaps led him to entertain a rather exaggeratedly high opinion of the rest of the book.
THOMAS CARLYLE TO DAVID LESTER RICHARDSON.
"5, Cheyne Row, Chelsea, London, "_19th December_, 1837.
"My DEAR SIR,
"Your courteous gift, with the letter accompanying it, reached me only about a week ago, though dated 20th of June, almost at the opposite point of the year. Whether there has been undue delay or not is unknown to me, but at any rate on my side there ought to be no delay.
"I have read your volume--what little of it was known to me before, and the much that was not known--I can say, with true pleasure. It is written, as few volumes in these days are, with fidelity, with successful care, with insight and conviction as to matter, with clearness and graceful precision as to manner: in a word, it is the impress of a mind stored with elegant accomplishments, gifted with an eye to see, and a heart to understand; a welcome, altogether recommendable book. More than once I have said to myself and others, How many parlour firesides are there this winter in England, at which this volume, could one give credible announcement of its quality, would be right pleasant company? There are very many, could one give the announcement: but no such announcement can be given; therefore the parlour firesides must even put up with ---- or what other stuff chance shovels in their way, and read, though with malediction all the time. It is a great pity, but no man can help it. We are now arrived seemingly pretty near the point when all criticism and proclamation in matters literary has degenerated into an inane jargon, incredible, unintelligible, inarticulate as the cawing of choughs and rooks; and many things in that as in other provinces, are in a state of painful and rapid transition. A good book has no way of recommending itself except slowly and as it were accidentally from hand to hand. The man that wrote it must abide his time. He needs, as indeed all men do, the faith that this world is built not on falsehood and jargon but on truth and reason; that no good thing done by any creature of God was, is, or ever can be lost, but will verily do the service appointed for it, and be found among the general sum-total and all of things after long times, nay after all time, and through eternity itself. Let him 'cast his bread upon the waters,' therefore, cheerful of heart; 'he will find it after many days.'
"I know not why I write all this to you; it comes very spontaneously from me. Let it be your satisfaction, the highest a man can have in this world, that the talent entrusted to you did not lie useless, but was turned to account, and proved itself to be a talent; and the 'publishing world' can receive it altogether according to their own pleasure, raise it high on the housetops, or trample it low into the street-kennels; that is not the question at all, the thing remains precisely what it was after never such raising and never such depressing and trampling, there is no change whatever in it. I bid you go on, and prosper.
"One thing grieves me: the tone of sadness, I might say of settled melancholy that runs through all your utterances of