On Something | Page 5

Hilaire Belloc
"Excellent," and the same comment he makes upon the following conclusion to a letter written to a religious paper and dealing with some politician or other who had done something which the correspondent did not like:
"That his eyes may be opened while he lives is the prayer of
"Yours truly,
"AN EARNEST MEMBER OF THE FOLD"
From such a series it is a recreation to turn to the little social paragraphs which gave Capricorn such acute and such continual joy; as, for instance, this:
"Mrs. Harry Bacon wishes it to be known that she has ceased to have any connection whatsoever with the Boudoir for Lost Dogs. Her address is still Hermione House, Bourton-on-the-Water Fenton Marsh, Worcester."
There is much more in the notebook with which I could while away the reader's time did space permit of it. I find among the very last entries, for instance, this:
"It was a strenuous and thrilling contest. Some terrible blows were exchanged. In the last round, however, Schmidt landed his opponent a very nasty one under the chin, stretching him out lifeless and breaking his elbow; whereupon the prize was awarded him."
To this joyous gem Capricorn has added a whole foison of annotations. He asks at the end: "Which was 'him'? Important." And he underlines in red ink the word "however," perhaps as mysterious a copulative as has ever appeared in British prose. I should add that Capricorn himself was an ardent sportsman and very rarely missed any of the first-class events of the ring, though personally he did not box, and on the few occasions when I have seen the exercise forced upon him in the public streets he showed the greatest distaste to this form of athletics.
Lastly, I find this note with which I must close: it is taken from the verbatim report of a great case in the courts, now half forgotten, but ten years ago the talk of London:
"The witness then said that he had been promised an independence for life if he could discover the defendant in the act of enclosing any part of the land, or any document or order of his involving such an enclosure. He therefore watched the defendant regularly from June, 1896, to the middle of July, 1900. He also watched the defendant's father and mother, three boys, married daughter, grandmother and grandfather, his two married sisters, his brother, his agent, and his agent's wife--but he had discovered nothing."
That such a sentence should have been printed in the English language and delivered by an English mouth in an English witness-box was enough for Capricorn. Give him that alone for intellectual food in his desert lodge and he was happy.
Shall I tempt Providence by any further extracts? ... It is difficult to tear oneself away from such a feast. So let me put in this very last, really the last, by way of savoury. There it is in black and white and no one can undo it: not all her piety, nor all her wit. It dates from the year 1904, when, Heaven knows, the internal combustion engine and its possibilities were not exactly new, and I give it word for word:
"The Duchess is, moreover, a pioneer in the use of the motor-car. She finds it an agreeable and speedy means of conveyance from her country seat to her town house, and also a very practical way of getting to see her friends at week-ends. She has been heard to complain, however, that a substitute for the pneumatic tyre less liable to puncture than it is would be a priceless boon."
There! There! May they all rest in peace! They have added to the gaiety of mankind.

ON UNKNOWN PEOPLE
You will often hear it said that it is astonishing such and such work should be present and enduring in the world, and yet the name of its author not known; but when one considers the variety of good work and the circumstances under which it is achieved, and the variety of taste also between different times and places, one begins to understand what is at first so astonishing.
There are writers who have ascribed this frequent ignorance of ours to all sorts of heroic moods, to the self-sacrifice or the humility of a whole epoch or of particular artists: that is the least satisfactory of the reasons one could find. All men desire, if not fame, at least the one poor inalienable right of authorship, and unless one can find very good reasons indeed why a painter or a writer or a sculptor should deliberately have hidden himself one must look for some other cause.
Among such causes the first two, I think, are the multiplicity of good work, and its chance character. Not that any one ever does very good work for once and then never again--at least, such an accident is extremely
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