the Sahara of Italy.
One is glad, meanwhile, that the castle does not lie in the natal land of the Hohenstaufen. The interior is quite deserted, to be sure; they have built half the town of Lucera with its stones, even as Frederick quarried them out of the early Roman citadel beneath; but it is at least a harmonious desolation. There are no wire-fenced walks among the ruins, no feeding-booths and cheap reconstructions of draw-bridges and police-notices at every corner; no gaudy women scribbling to their friends in the "Residenzstadt" post cards illustrative of the "Burgruine," while their husbands perspire over mastodontic beer-jugs. There is only peace.
These are the delights of Lucera: to sit under those old walls and watch the gracious cloud-shadows dappling the plain, oblivious of yonder assemblage of barbers and politicians. As for those who can reconstruct the vanished glories of such a place--happy they! I find the task increasingly difficult. One outgrows the youthful age of hero-worship; next, our really keen edges are so soon worn off by mundane trivialities and vexations that one is glad to take refuge in simpler pleasures once more--to return to primitive emotionalism. There are so many Emperors of past days! And like the old custodian, I have not so much as set eyes on them.
Yet this Frederick is no dim figure; he looms grandly through the intervening haze. How well one understands that craving for the East, nowadays; how modern they were, he and his son the "Sultan of Lucera," and their friends and counsellors, who planted this garden of exotic culture! Was it some afterglow of the luminous world that had sunk below the horizon, or a pale streak of the coming dawn? And if you now glance down into this enclosure that once echoed with the song of minstrels and the soft laughter of women, with the discourse of wits, artists and philosophers, and the clang of arms--if you look, you will behold nothing but a green lake, a waving field of grass. No matter. The ambitions of these men are fairly realized, and every one of us may keep a body-guard of pagans, an't please him; and a harem likewise--to judge by the newspapers.
For he took his Orientalism seriously; he had a harem, with eunuchs, etc., all proper, and was pleased to give an Eastern colour to his entertainments. Matthew Paris relates how Frederick's brother-in-law, returning from the Holy Land, rested awhile at his Italian court, and saw, among other diversions, "duas puellas Saracenicas formosas, quae in pavimenti planitie binis globis insisterent, volutisque globis huo illucque ferrentur canentes, cymbala manibus collidentes, corporaque secundum modules motantes atque flectentes." I wish I had been there. . . .
I walked to the castle yesterday evening on the chance of seeing an eclipse of the moon which never came, having taken place at quite another hour. A cloudless night, dripping with moisture, the electric lights of distant Foggia gleaming in the plain. There are brick-kilns at the foot of the incline, and from some pools in the neighbourhood issued a loud croaking of frogs, while the pallid smoke of the furnaces, pressed down by the evening dew, trailed earthward in a long twisted wreath, like a dragon crawling sulkily to his den. But on the north side one could hear the nightingales singing in the gardens below. The dark mass of Mount Gargano rose up clearly in the moonlight, and I began to sketch out some itinerary of my wanderings on that soil. There was Sant' Angelo, the archangel's abode; and the forest region; and Lesina with its lake; and Vieste the remote, the end of all things. . . .
Then my thoughts wandered to the Hohenstaufen and the conspiracy whereby their fate was avenged. The romantic figures of Manfred and Conradin; their relentless enemy Charles; Costanza, her brow crowned with a poetic nimbus (that melted, towards the end, into an aureole of bigotry); Frangipani, huge in villainy; the princess Beatrix, tottering from the dungeon where she had been confined for nearly twenty years; her deliverer Roger de Lauria, without whose resourcefulness and audacity it might have gone ill with Aragon; Popes and Palaso-logus--brilliant colour effects; the king of England and Saint Louis of France; in the background, dimly discernible, the colossal shades of Frederick and Innocent, looked in deadly embrace; and the whole congress of figures enlivened and interpenetrated as by some electric fluid--the personality of John of Procida. That the element of farce might not be lacking, Fate contrived that exquisite royal duel at Bordeaux where the two mighty potentates, calling each other by a variety of unkingly epithets, enacted a prodigiously fine piece of foolery for the delectation of Europe.
From this terrace one can overlook both Foggia and Castel Fiorentino--the beginning and end of the drama; and one follows
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