Okewood of the Secret Service | Page 6

that you don't find in this sort of show as a rule!"
He stopped a moment, then added abruptly:
"We'll go along to the Palaceum to-night, if you like, Desmond," and Desmond joyfully acquiesced. To one who has been living for weeks in an ill-ventilated pill-box on the Passchendaele Ridge, the lights and music and color of a music-hall seem as a foretaste of Paradise.
And that was what Desmond Okewood thought as a few hours later he found himself with Maurice Strangwise in the stalls of the vast Palaceum auditorium. In the unwonted luxury of evening clothes he felt clean and comfortable, and the cigar he way smoking was the climax of one of Julien's most esoteric efforts.
The cards on either side of the proscenium opening bore the words: "Deputy Turn." On the stage wad a gnarled old man with ruddy cheeks and a muffler a seedy top hat on his head, a coaching whip in his hand, the old horse bus-driver of London in his habit as he had lived. The old fellow stood there and just talked to the audience of a fine sporting class of men that petrol has driven from the streets, without exaggerated humor or pathos. Desmond, himself a born Cockney, at once fell under the actor's spell and found all memories of the front slipping away from him as the old London street characters succeeded one another on the stage. Then the orchestra blared out, the curtain descended, and the house broke into a great flutter of applause.
Desmond, luxuriating in his comfortable stall puffed at his cigar and fell into a pleasant reverie.
He was contrasting the ghastly nightmare of mud and horrors from which he had only just emerged with the scene of elegance, of civilization; around him.
Suddenly, his attention became riveted on the stage. The atmosphere of the theatre had changed. Always quick at picking up "influences," Desmond instantly sensed a new mood in the throngs around him. A presence was in the theatre, an instinct-awakening, a material influence. The great audience was strangely hushed. The air was heavy with the tent of incense. The stringed instruments and oboes in the orchestra were wandering into rhythmic dropped,
Maurice touched his elbow.
"There she is!" he said.
Desmond felt inclined to shake him off roughly. The interruption jarred on him. For he was looking at this strangely beautiful girl with her skin showing very brown beneath a wonderful silver tiara-like headdress, and in the broad interstices of a cloth-of-silver robe with short, stiffly wired-out skirt. She was seated, an idol, on a glittering black throne, at her feet with their tapering dyed nails a fantastically attired throng of worshipers.
The idol stirred into life, the music of the orchestra died away. Then a tom-tom began to beat its nervous pulse-stirring throb, the strident notes of a reed-pipe joined in and the dancer, raised on her toes on the dais, began to sway languorously to and fro. And so she swayed and swayed with sinuously curving limbs while the drums throbbed out faster with ever-shortening beats, with now and then a clash of brazen cymbals that was torture to overwrought nerves.
The dancer was the perfection of grace. Her figure was lithe and supple as a boy's. There was a suggestion of fire and strength and agility about her that made one think of a panther as she postured there against a background of barbaric color. The grace of her movements, the exquisite blending of the colors on the stage, the skillful grouping of the throng of worshipers, made up a picture which held the audience spellbound and in silence until the curtain dropped.
Desmond turned to find Strangwise standing up.
"I thought of just running round behind the scenes for a few minutes," he said carelessly.
"What, to see Nur-el-Din? By Jove, I'm coming, too!" promptly exclaimed Desmond.
Strangwise demurred. He didn't quite know if he could take him: there might be difficulties: another time... But Desmond got up resolutely.
"I'11 be damned if you leave me behind, Maurice," he laughed, "of course I'm coming, too! She's the most delightful creature I've ever set eyes on!"
And so it ended by them going through the pass-door together.
CHAPTER III.
MR. MACKWAYTE MEETS AN OLD FRIEND
That night Nur-el-Din kept the stage waiting for five minutes. It was a climax of a long series of similar unpardonable crimes in the music-hall code. The result was that Mr. Mackwayte, after taking four enthusiastic "curtains," stepped off the stage into a perfect pandemonium.
He found Fletcher, the stage manager, livid with rage, surrounded by the greater part of the large suite with which the dancer traveled. There was Madame's maid, a trim Frenchwoman, Madame's business manager, a fat, voluble Italian, Madame's secretary, an olive-skinned South American youth in an evening coat with velvet collar, and Madame's principal male dancer in a scanty Egyptian dress