Okewood of the Secret Service | Page 3

theatre, Barbara had been busy laying out coats and hats and rigs and grease-paints on the little table below the mirror with its two brilliant electric bulbs, whilst Mr. Mackwayte was in his dressing-room upstairs changing into his first costume.
Now, old Mackwayte stood at her elbow in his rig-out as an old London bus-driver in the identical, characteristic clothes which he had worn for this turn for the past 25 years. He was far too old a hand to show any nervousness he might feel at the ordeal before him. He was chatting in undertones in his gentle, confidential way to the stage manager.
All around them was that curious preoccupied stillness hush of the power-house which makes the false world of the stage so singularly unreal by contrast when watched from the back. The house was packed from floor to ceiling, for the Palaceum's policy of breaking away from revue and going back to Mr. Mackwayte called "straight vaudeville" was triumphantly justifying itself.
Standing in the wings, Barbara could almost feel the electric current running between the audience and the comedian who, with the quiet deliberation of the finished artist, was going through his business on the stage. As he made each of his carefully studied points, he paused, confident of the vast rustle of laughter swelling into a hurricane of applause which never failed to come from the towering tiers of humanity before him, stretching away into the roof where the limelights blazed and spluttered. Save for the low murmur of voices at her side, the silence behind the scenes was absolute. No one was idle. Everyone was at his post, his attention concentrated on that diminutive little figure in the ridiculous clothes which the spot-lights tracked about the stage.
It was the high-water mark of modern music-hall development. The perfect smoothness of the organization gave Barbara a great feeling of contentment for she knew how happy her father must be. Everyone had been so kind to him. "I shall feel a stranger amongst the top-liners of today, my dear," he had said to her in the car on their way to the hall. She had had no answer ready for she had feared he spoke the truth.
Yet everyone they had met had tried to show them that Arthur Mackwayte was not forgotten. The stage-door keeper had known him in the days of the old Aquarium and welcomed him by name. The comedian who preceded Mr. Mackwayte and who was on the stage at that moment had said, "Hullo, Mac! Come to give us young 'uns some tips?" And even now the stage manager was talking over old days with her father.
"You had a rough but good schooling, Mac," he was saying, "but, by Jove, it gave us finished artists. If you saw the penny reading line that comes trying to get a job here... and gets it, by Gad!... it'd make you sick. I tell you I have my work cut out staving them off! It's a pretty good show this week, though, and I've given you a good place, Mac... you're in front of Nur-el-Din!"
"Nur-el-Din?" repeated Mr. Mackwayte' "what is it, Fletcher? A conjurer?"
"Good Lord' man' where have you been living?" replied Fletcher. "Nur-el-Din is the greatest vaudeville proposition since Lottie Collins. Conjurer! That's what she is, too, by Jove! She's the newest thing in Oriental dancers... Spaniard or something... wonderful clothes, what there is of 'em... and jewelry... wait till you see her!"
"Dear me"' said Mr. Mackwayte' "I'm afraid I'm a bit behind the times. Has she been appearing here long?"
"First appearance in London, old man' and she's made good from the word 'Go!' She's been in Paris and all over the Continent, and America, too, I believe, but she had to come to me to soar to the top of the bill. I saw at once where she belonged! She's a real artiste, temperament, style and all that sort of thing and a damn good producer into the bargain! But the worst devil that ever escaped out of hell never had a wickeder temper! She and I fight all the time! Not a show, but she doesn't keep the stage waiting! But I won! I won't have her prima donna tricks in this theatre and so I've told her! Hullo, Georgie's he's finishing..."
The great curtain switched down suddenly, drowning a cascade of applause, and a bundle of old clothes, twitching nerves, liquid perspiration and grease paint hopped off the stage into the centre of the group. An electric bell trilled, the limelights shut off, with a jerk that made the eyes ache, a back-cloth soared aloft and another glided down into its place, the comedian took two, three, four calls, then vanished into a horde of dim figures scuttling about in the gloom.
An electric bell trilled again