Assuredly, Frank Theydon-- as his friends called him-- was not the only man in the vestibule of Daly's Theater who had found the girl well worth looking at, and it was the mere accident of propinquity which enabled him to overhear the quite commonplace remarks of father and daughter.
A score of similar occurrences had probably taken place in the like circumstances that night in London, and the maddest dreamer of fantastic dreams would not have heard the fluttering wings of the spirit of romance in connection with any one of them. It was by no means marvelous, therefore, but rather in obedience to the accepted law of things as they are when contrasted with things as they might be, if Theydon both failed to attach any importance to that chance meeting and proceeded forthwith to think of something else.
He did not forget it, of course. His artist's eyes had been far too interested in a certain rare quality of delicate femininity in the girl's face and figure, and his ear too quick to appreciate the music of her cultured voice, that he should not be able to recall such pleasant memories later. Indeed, during those fleeting moments on the threshold of the theater, he had garnered quite a number of minor impressions, not only of the girl, but of her father.
In some respects they were singularly alike. Thus, each had the same proud, self-reliant carriage, the same large, brilliant eyes, serene brow and firm mouth, the same repose of manner, the same clear, incisive enunciation. Neither could move in any company, however eclectic, without evoking comment.
They held in common that air of refinement and good breeding which is, or should be, the best-marked attribute of an aristocracy. It was impossible to imagine either in rags, but, given such a transformation, each would be notable because of the amazing difference that would exist between garb and mien.
It must not be imagined that Theydon indulged in this close analysis of the physical characteristics of two complete strangers while his cab was wheeling into the scurry of traffic in Cranbourn Street. Rather did he essay a third time to light the cigarette which he still held between his lips. And yet a third time was his intent balked.
A policeman stopped the east-bound stream of vehicles somewhat suddenly at the corner of Charing Cross road; owing to the mud, the taxi skidded a few feet beyond the line; a lamp was torn off by a heavy wagon coming south; and a fierce argument between taxi driver and policeman resulted in "numbers" being demanded for future vengeance. Then Theydon took a hand in the dispute, poured oil on the troubled waters by tipping the policeman half a crown and the driver half a sovereign-- these sums being his private estimate of damages to dignity and lamp-- and the journey was resumed, with a net loss, to the person who had absolutely nothing to do with the affair, of twelve and sixpence in money and nearly ten minutes in time.
Theydon was not rich, as shall be seen in due course, but he was generous and impulsive. He hated the notion of any one suffering for having done him a service, and the taxi man might reasonably be deemed a real benefactor on that sloppy night.
So far as he was concerned, the delay of ten minutes was of no consequence. It only meant a slightly deferred snuggling down into an easy chair in his flat with a book and a pipe. That is how be would have expressed himself if questioned on the point. In reality it influenced and controlled his future in the most vital way, because, once the cab had crossed Oxford Street and turned into the quiet thoroughfare on which the first block of Innesmore Mansions abutted, he passed into a new phase of existence.
The cigarette, lighted at last after the altercation, had filled the cab with smoke to such an extent that Theydon lowered a window. At that moment the driver was slowing down to take the corner of the even more secluded road which contained Innesmore Mansions and the gardens appertaining thereto, and nothing else. Necessarily, Theydon was looking out, and he was very greatly surprised at seeing the unknown gentleman of the theater walking rapidly round the same corner.
He could not be mistaken. The stranger tilted back his umbrella and raised his eyes to ascertain the name of the street, as though he was not quite sure of his whereabouts, and the glare of a lamp fell directly on his clean-cut, almost classical face.
Being thus occupied, he did not glance at the passing cab, or recognition might possibly have been mutual-- possibly, though not probably, because, during that brief pause on the steps of the theater, he stood beside Theydon; hence,
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