limitation of consequential damages, so the above
disclaimers and exclusions may not apply to you, and you may have
other legal rights.
INDEMNITY
You will indemnify and hold the Project, its directors, officers,
members and agents harmless from all liability, cost and expense,
including legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this etext, [2]
alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book
or any other medium if you either delete this "Small Print!" and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
We are planning on making some changes in our donation structure in
2000, so you might want to email me,
[email protected] beforehand.
*END THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*
Etext scanned by Peter Snow Cao Yi Guan Miao Fang Cao Jie 2#
Chengdu, Sichuan 610041 CHINA
[email protected]
Notre-Dame de Paris
Also known as:
The Hunchback of Notre Dame
by Victor Hugo
PREFACE.
A few years ago, while visiting or, rather, rummaging about
Notre-Dame, the author of this book found, in an obscure nook of one
of the towers, the following word, engraved by hand upon the wall:--
ANArKH.
These Greek capitals, black with age, and quite deeply graven in the
stone, with I know not what signs peculiar to Gothic caligraphy
imprinted upon their forms and upon their attitudes, as though with the
purpose of revealing that it had been a hand of the Middle Ages which
had inscribed them there, and especially the fatal and melancholy
meaning contained in them, struck the author deeply.
He questioned himself; he sought to divine who could have been that
soul in torment which had not been willing to quit this world without
leaving this stigma of crime or unhappiness upon the brow of the
ancient church.
Afterwards, the wall was whitewashed or scraped down, I know not
which, and the inscription disappeared. For it is thus that people have
been in the habit of proceeding with the marvellous churches of the
Middle Ages for the last two hundred years. Mutilations come to them
from every quarter, from within as well as from without. The priest
whitewashes them, the archdeacon scrapes them down; then the
populace arrives and demolishes them.
Thus, with the exception of the fragile memory which the author of this
book here consecrates to it, there remains to-day nothing whatever of
the mysterious word engraved within the gloomy tower of
Notre-Dame,--nothing of the destiny which it so sadly summed up. The
man who wrote that word upon the wall disappeared from the midst of
the generations of man many centuries ago; the word, in its turn, has
been effaced from the wall of the church; the church will, perhaps,