Notes and Queries, Number 188, June 4, 1853 | Page 5

airs."
Bernardin de St. Pierre, in his Etudes de la Nature:
"C'est des contraires que résulte l'harmonie du monde."
And Burke, in nearly the same words, in his Reflections on the French Revolution:
"You had that action and counteraction, which, in the natural and in the political world, from the reciprocal struggle of discordant powers, draws out the harmony of the universe."
Nor does the sentiment belong exclusively to the moderns. I find it in Horace's twelfth Epistle:
"Nil parvum sapias, et adhuc sublimia cures, . . . . . . Quid velit et possit rerum concordia discors."
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Lucan, I think, has the same expression in his Pharsalia; and it forms the basis of Longinus's remark on the eloquence of Demosthenes:
[Greek: "Oukoun tên men phusin t?n epanaphor?n kai asundet?n pantêi phulattei têi sunechei metabolêi? hout?s aut?i kai hê taxis atakton, kai empalin hê ataxia poian perilambanei taxin."]
It may be said that, as Pope adopted the thought from Horace or Lucan, so a poet of the fifteenth century (such as the supposed Rowley) might have taken it from the same sources. But a comparison of the line in The Tournament with those in Windsor Forest will show that the borrowing embraces not only the thought, but the very words in which it is expressed.
HENRY H. BREEN.
St. Lucia.
* * * * *
FOLK LORE.
Legend of Llangefelach Tower.--A different version of the legend also exists in the neighbourhood, viz. that the day's work on the tower being pulled down each night by the old gentleman, who was apparently apprehensive that the sound of the bells might keep away all evil spirits, a saint, of now forgotten name, told the people that if they would stand at the church door, and throw a stone, they would succeed in building the tower on the "spot where it fell," which accordingly came to pass.
CERIDWEN.
Wedding Divination.--Being lately present on the occasion of a wedding at a town in the East Riding of Yorkshire, I was witness to the following custom, which seems to take rank as a genuine scrap of folk-lore. On the bride alighting from her carriage at her father's door, a plate covered with morsels of bride's cake was flung from a window of the second story upon the heads of the crowd congregated in the street below; and the divination, I was told, consists in observing the fate which attends its downfall. If it reach the ground in safety, without being broken, the omen is a most unfavourable one. If on the other hand, the plate be shattered to pieces (and the more the better), the auspices are looked upon as most happy.
OXONIENSIS.
* * * * *
SHAKSPEARE CORRESPONDENCE.
Shakspearian Drawings.--I have very recently become possessed of some curious drawings by Hollar; those relating to Shakspeare very interesting, evidently done for one Captain John Eyre, who could himself handle the pencil well.
The inscription under one is as follows, in the writing of the said J. Eyre:
"Ye house in ye Clink Streete, Southwarke, now belonging to Master Ralph Hansome, and in ye which Master Shakspeare lodged in ye while he writed and played at ye Globe, and untill ye yeare 1600 it was at the time ye house of Grace Loveday. Will had ye two Rooms over against ye Doorway, as I will possibly show."
Size of the drawing, 12 × 7, "W. Hollar delin., 1643." It is an exterior view, beautifully executed, showing very prominently the house and a continuation of houses, forming one side of the street.
The second has the following inscription in the same hand:
"Ye portraiture of ye rooms in ye which Master Will Shakspeare lodged in Clink Streete, and which is told to us to be in ye same state as when left by himself, as stated over ye door in ye room, and on the walls were many printed verses, also a portraiture of Ben Jonson with a ruff on a pannel."
Size of the drawing 11-5/8 × 6-7/8, "W. Hollar delin., 1643:" shows the interior of three sides, and the floor and ceiling, with the tables, chairs, and reading-desk; an open door shows the interior of his sleeping-room, being over the entrance door porch.
The third--
"Ye Globe, as to be seen before ye Fire in ye year 1615, when this place was burnt down. This old building," &c.
Here follows a long interesting description. It is an exterior view; size of drawing 7? wide × 9-7/8 high, "W. H. 1640."
The fourth shows the stage, on which are two actors: this drawing, 7-7/8 × 6?, was done by J. Eyre, 1629, and on which he gives a curious description of his accompanying Prince Charles, &c.; at this time he belonged to the Court, as he also accompanied that prince to Spain.
The fifth, done by the same hand in a most masterly manner, pen and ink portrait of Shakspeare, copied, as he writes, from a